FCFGCE Guitar Tuner
FCFGCE FCFGCE - Guitar tuning, chords & scales
This unique tuning, which we've named Open Fsus2, transforms your guitar into a resonant sound canvas. It's fundamentally an Fsus2 chord (F-G-C) across the lower strings, with the highest string adding a Major 3rd (E), resulting in a rich open Fmaj9sus2 voicing. The tuning's description highlights its closeness to DADEAD (Open Dsus2) with a capo on the 3rd fret, suggesting a familiar and intuitive feel for players accustomed to open drone tunings.
Verbal Analysis
The Open Fsus2 tuning offers a bright, full, and somewhat ethereal sound. The open strings resonate beautifully together, making it an excellent choice for fingerstyle, slide guitar, or crafting lush, ambient soundscapes. Its inherent drone-like quality, particularly from the repeated F and C notes across different octaves, can inspire captivating melodies and rich harmonic textures often found in folk, blues, and various contemporary genres. The 'sus2' quality (F-G-C) creates a subtle harmonic ambiguity, hinting at both major and minor without fully committing, which can be profoundly expressive and versatile.
Technical Analysis
The notes for this tuning, from lowest to highest string, are F2 C3 F3 G3 C4 E4. Let's examine the intervals and resulting chord structures:
- 6th String (F2): Serves as the fundamental root of our F chord.
- 5th String (C3): A perfect fifth above the root F, providing a strong and stable harmonic foundation.
- 4th String (F3): An octave above the root, powerfully reinforcing the F tonality.
- 3rd String (G3): The suspended 2nd (or major 2nd) above the root F, which explicitly defines the 'sus2' characteristic of this tuning.
- 2nd String (C4): Another perfect fifth, an octave above C3, adding brightness, sustain, and further harmonic depth.
- 1st String (E4): A major third above the root F, completing the F major sound and extending the full open voicing to an Fmaj9sus2 (F-G-C-E).
This thoughtful stacking of notes creates an incredibly rich and vibrant open chord. Simple one-finger barre chords will effectively transpose this Fmaj9sus2 structure to a new root. For instance, barring all strings at the 5th fret will yield an Amaj9sus2 chord (A-B-E-G#). By judiciously muting or fretting specific strings, you can easily access:
- Open Fmaj9sus2: Achieved by strumming all six open strings.
- Open Fsus2: By muting or simply avoiding the 1st string (E4).
- Open F Major: By muting the 3rd string (G3) and playing the remaining F-C-F-C-E strings.
- C Major (with G in bass): By playing the 5th, 3rd, and 2nd strings (C-G-C), potentially muting the 4th string (F), or incorporating the F for an interesting C with an F suspension.
The presence of the open G on the 3rd string offers excellent flexibility, allowing for easy transitions to major or minor chords by simply fretting this string to A (for Fmaj) or G# (for F minor), or leaving it open for its characteristic sus2 quality. This tuning encourages exploration beyond conventional chord shapes, opening doors to new melodic and harmonic possibilities.
Tuning Notes
Here are the target notes for each string in this FCFGCE tuning:
- 6th String (Low E): F2
- 5th String (A): C3
- 4th String (D): F3
- 3rd String (G): G3
- 2nd String (B): C4
- 1st String (High E): E4
How to Tune
To achieve the Open Fsus2 tuning from standard E Standard tuning (E-A-D-G-B-E), follow these precise adjustments for each string:
- 6th String (E2): Tune up 1 semitones to reach F2.
- 5th String (A2): Tune up 3 semitones to reach C3.
- 4th String (D3): Tune up 3 semitones to reach F3.
- 3rd String (G3): Keep as is; no change (0 semitones) to remain at G3.
- 2nd String (B3): Tune up 1 semitones to reach C4.
- 1st String (E4): Keep as is; no change (0 semitones) to remain at E4.
Important Tuning Advice:
Always exercise caution when adjusting string tension. Generally, tuning a string up or down by more than 4 semitones from its standard pitch can place excessive strain on your guitar or strings. For significant changes exceeding this range (i.e., less than -4 or greater than +4 semitones), it is often advisable to consider using a different gauge of string to ensure optimal playability and to prevent potential damage to your instrument or premature string breakage. In this specific Open Fsus2 tuning, the largest change required is 3 semitones up, which should generally be safe, but always tune slowly and carefully to protect your instrument and strings.
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Capos for FCFGCE
Capo | Tuning | Name |
---|---|---|
-5 | CGCDGB | Cmaj7 Sus2 |
-4 | C#G#C#D#G#C | Alesund |
-3 | DADEAC# | Open |
-2 | D#A#D#FA#D | Knuckle Puck |
-1 | EBEF#BD# | EBEF#BD# |
0 | FCFGCE | FCFGCE |
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Tuning Map
- Fret
- S6
- S5
- S4
- S3
- S2
- S1
- -13
- D#
- G#
- C#
- F#
- A#
- D#
- -12
- E
- A
- D
- G
- B
- E
- -11
- F
- A#
- D#
- G#
- C
- F
- -10
- F#
- B
- E
- A
- C#
- F#
- -9
- G
- C
- F
- A#
- D
- G
- -8
- G#
- C#
- F#
- B
- D#
- G#
- -7
- A
- D
- G
- C
- E
- A
- -6
- A#
- D#
- G#
- C#
- F
- A#
- -5
- B
- E
- A
- D
- F#
- B
- -4
- C
- F
- A#
- D#
- G
- C
- -3
- C#
- F#
- B
- E
- G#
- C#
- -2
- D
- G
- C
- F
- A
- D
- -1
- D#
- G#
- C#
- F#
- A#
- D#
- 0
- E
- A
- D
- G
- B
- E
- 1
- F
- A#
- D#
- G#
- C
- F
- 2
- F#
- B
- E
- A
- C#
- F#
- 3
- G
- C
- F
- A#
- D
- G
- 4
- G#
- C#
- F#
- B
- D#
- G#
- 5
- A
- D
- G
- C
- E
- A
- 6
- A#
- D#
- G#
- C#
- F
- A#
- 7
- B
- E
- A
- D
- F#
- B
- 1
- 3
- 3
- 0
- 1
- 0