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FC#G#C# Irish Bouzouki Tuner

FC#G#C# | FD♭A♭D♭ Open C# Irish Bouzouki - Irish Bouzouki tuning, chords & scales

Description - Open C# Irish Bouzouki

Tune your Irish bouzouki down. Tune your low G string down 2 semitones and the rest of the strings down 1 semitone. Now your 'zouk is in C# major, the key of the fae folk. Like a shimmery glass cathedral in a dark forest where no one living has walked.
This is another tuning inspired by Simulation Swarm by Adrianne Lenker. I am just using G# here instead of A#. I think the intervals on this one are a bit less wonky.
F3 - C4# = minor 6th. C4# - G4# = perfect 5th. G4# - c5# = Perfect 4th.
Have fun!

This captivating Irish Bouzouki tuning, aptly named "Open c# Irish Bouzouki", invites players into a mystical sonic landscape. As described in its origin, it's inspired by the ethereal and enchanting "key of the fae folk," evoking imagery of a "shimmery glass cathedral in a dark forest." The tuning achieves an open C# Major chord (enharmonically Db Major) across its open strings, setting a bright and resonant foundation.

The original description provides further insight into the inspiration and conceptual basis of this tuning:
"Tune your Irish bouzouki down. Tune your low G string down 2 semitones and the rest of the strings down 1 semitone. Now your 'zouk is in C# major, the key of the fae folk. Like a shimmery glass cathedral in a dark forest where no one living has walked.
This is another tuning inspired by Simulation Swarm by Adrianne Lenker. I am just using G# here instead of A#. I think the intervals on this one are a bit less wonky. Have fun!"

Technical Analysis:

The open tuning for the Irish Bouzouki is F2, C4#, G4#, C5#.

  • The notes C# (Db), G# (Ab), C# (Db) across the middle and highest strings (3, 2, 1) form a robust C#5 power chord.
  • When including the lowest string, F2, the full open voicing becomes F2 - C4# - G4# - C5#. This arrangement perfectly spells out an Open C# Major chord (Db Major), with F being the major third, C# the root (or Db), and G# the perfect fifth (or Ab).
  • The intervals between the strings are:
    • String 4 (F2) to String 3 (C4#): This is a very wide interval, specifically an octave plus an augmented 4th (17 semitones). The original description conceptually refers to F3 - C4# as a Minor 6th, indicating a reference F an octave higher than the actual open F2.
    • String 3 (C4#) to String 2 (G4#): This is a Perfect 5th (7 semitones).
    • String 2 (G4#) to String 1 (C5#): This is a Perfect 4th (5 semitones).
    The intervals for the upper strings (P5, P4) align with the original description: "C4# - G4# = perfect 5th. G4# - c5# = Perfect 4th." The specific choice of G# over A# is noted for creating "intervals... a bit less wonky."

Chords and Playability:

With the open strings forming a clear C# Major chord, this tuning provides a rich, full sound without fretting any notes. This makes it incredibly accessible for creating resonant drones and accompaniment. Barre chords across all four strings will immediately yield other major chords up the neck (e.g., fretting at the 1st fret gives D Major, 2nd fret gives D# Major, etc.). This makes transposing major key songs straightforward. Due to the perfect 5th and perfect 4th intervals on the higher strings, traditional melody playing and arpeggios will feel familiar, while the distinct lowest F2 string adds depth and harmonic interest, allowing for unique bass lines and inversions of the C# Major chord. Exploring minor chords would involve fretting specific notes to alter the 3rd (F to E or E#) or introducing additional tones, offering a creative challenge for players.



Open String Notes:

String 4: F2 (Lowest String)
String 3: C4#
String 2: G4#
String 1: C5# (Highest String)

How to Tune:

This section describes how to adjust your strings to achieve the 'Open C# Irish Bouzouki' tuning. Please note that the direction and semitone movements are provided strictly as per the tuning data. While the original description mentions tuning down, these instructions detail the specific movements to reach the target notes.

  • String 4 (Lowest String): Tune up 1 semitone to reach the note F2.
  • String 3: Tune up 4 semitones to reach the note C4#.
    Caution: Tuning up 4 semitones is a significant increase in string tension. For string movements exceeding 4 semitones up or down, it is generally advised to consider using a different gauge string to prevent potential damage or breakage.
  • String 2: Tune up 1 semitone to reach the note G4#.
  • String 1 (Highest String): Tune up 2 semitones to reach the note C5#.

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Capos for FC#G#C#

Capo Tuning Name
0 FC#G#C# Open C# Irish Bouzouki

Scales for FC#G#C#

A A# B C C# D

Songs tuned to FC#G#C#

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