FG#CGCD# Guitar Tuner
FG#CGCD# | FA♭CGCE♭ Fm9 - Guitar tuning, chords & scales
Tuning Analysis: Fm9
This is a highly distinctive and musically rich tuning for the Guitar, known as Fm9. As described, it's structured to convey a minor, folk-ey, or Spanish ambiance, and the technical breakdown of the notes confirms this sophisticated character.
Technical Breakdown: Open String Notes
- String 6 (Low): F2
- String 5: G#3
- String 4: C3
- String 3: G3
- String 2: C4
- String 1 (High): D#5
Verbal and Musical Analysis
The open strings of this tuning lay out the notes F, G#, C, G, C, D#. When arranged, these notes form an F minor 9th (Fm9) chord: F (root), G# (minor third), C (perfect fifth), D# (minor seventh, enharmonically Eb), and G (major ninth). This instantly provides a rich, complex, and melancholic harmony that is perfect for jazz, neo-soul, or indeed, the specified "folk-ey/Spanish" genres.
The presence of the minor third (G#) and minor seventh (D#) firmly establishes the minor tonality, while the added ninth (G) gives it a smooth, extended harmonic quality. The two C notes (on the 4th and 2nd strings) provide a strong perfect fourth interval with the open G string (3rd string), creating a resonant backbone. The F-G#-C sequence (Low F, G#3, C3) outlines a pure F minor triad, providing a solid base for the extended chord above.
This tuning is excellent for creating drone-based music or for fingerstyle playing where the complex open voicings can ring out. It encourages exploration of minor-key melodies and allows for easy movement between inversions of Fm9 or related chords by simply barring or using minimal fret hand movement. For example, a simple barre across all strings will shift the Fm9 chord up the neck (e.g., first fret for F#m9, second for Gm9), making key changes relatively straightforward while maintaining the same harmonic character.
How to Tune Your Guitar to Fm9
To achieve the Fm9 tuning from standard E Standard tuning, follow these specific adjustments for each string. Based on the specified movements, a standard gauge string set should be entirely suitable as no individual string adjustment exceeds the typical +/- 4 semitones threshold that might require a different gauge.
- String 6 (Low E): Tune up 1 semitone to F2.
- String 5 (A): Tune down 1 semitone to G#3.
- String 4 (D): Tune down 2 semitones to C3.
- String 3 (G): Keep as is; no change (0 semitones). Remains G3.
- String 2 (B): Tune up 1 semitone to C4.
- String 1 (High E): Tune down 1 semitone to D#5.
String 6: F2
String 5: G#3
String 4: C3
String 3: G3
String 2: C4
String 1: D#5
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Capos for FG#CGCD#
| Capo | Tuning | Name |
|---|---|---|
| -3 | DFAEAC | DFAEAC |
| -2 | D#F#A#FA#C# | Open D#m9 |
| -1 | EGBF#BD | Beograd львы |
| 0 | FG#CGCD# | Fm9 |
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Tuning Map
- Fret
- S6
- S5
- S4
- S3
- S2
- S1
- -13
- D#
- G#
- C#
- F#
- A#
- D#
- -12
- E
- A
- D
- G
- B
- E
- -11
- F
- A#
- D#
- G#
- C
- F
- -10
- F#
- B
- E
- A
- C#
- F#
- -9
- G
- C
- F
- A#
- D
- G
- -8
- G#
- C#
- F#
- B
- D#
- G#
- -7
- A
- D
- G
- C
- E
- A
- -6
- A#
- D#
- G#
- C#
- F
- A#
- -5
- B
- E
- A
- D
- F#
- B
- -4
- C
- F
- A#
- D#
- G
- C
- -3
- C#
- F#
- B
- E
- G#
- C#
- -2
- D
- G
- C
- F
- A
- D
- -1
- D#
- G#
- C#
- F#
- A#
- D#
- 0
- E
- A
- D
- G
- B
- E
- 1
- F
- A#
- D#
- G#
- C
- F
- 2
- F#
- B
- E
- A
- C#
- F#
- 3
- G
- C
- F
- A#
- D
- G
- 4
- G#
- C#
- F#
- B
- D#
- G#
- 5
- A
- D
- G
- C
- E
- A
- 6
- A#
- D#
- G#
- C#
- F
- A#
- 7
- B
- E
- A
- D
- F#
- B
- 1
- -1
- -2
- 0
- 1
- -1
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