F#A#C#F#A#F# Guitar Tuner
F#A#C#F#A#F# | G♭B♭D♭G♭B♭G♭ Mayfield - Guitar tuning, chords & scales
Description - Mayfield
"Two significant characteristics distinguish Curtis Mayfield's sound. First, he taught himself how to play guitar, tuning it to the black keys of the piano, thus giving him an open F-sharp tuning F# A# C# F# A# F# that he used throughout his career. Second, he primarily sang in falsetto register, adding another flavor to his music. This was not unique in itself, but most singers sing primarily in the modal register."
The Mayfield tuning, famously associated with the legendary Curtis Mayfield, is a unique and distinctive Open F# tuning. Mayfield, a self-taught guitarist, devised this tuning, which he reportedly aligned with the black keys of a piano, shaping his signature soulful sound throughout his career. This tuning would have profoundly influenced his harmonic choices and melodic approach, contributing to the distinct, often ethereal quality of his music.
Technical Analysis:
This tuning transforms the guitar into an Open F# Major chord (F# A# C# F# A# F#) when played open. This means that simply strumming all open strings produces a rich, resonant F# Major chord. The repetition of the root (F# on strings 6, 3, 1) and the major third (A# on strings 5, 2) across different octaves provides a full, harmonically complete sound. The perfect fifth (C# on string 4) anchors the chord, ensuring a solid harmonic foundation.
The symmetrical nature of the tuning, particularly with the F# and A# notes mirroring each other on the outer and inner string pairs, lends itself to intuitive chord shapes and melodic patterns. Barring across any fret will instantly produce a major chord in the corresponding key (e.g., barring at the 1st fret yields a G Major chord). This open quality encourages slide guitar techniques and facilitates the creation of lush, harmonically dense textures with minimal effort.
Achieving this tuning involves a mix of upward and downward adjustments across the strings, with most changes being relatively minor (1 to 2 semitones), making it generally safe for standard gauge strings.
Open String Notes:
- String 6 (low E): F3#
- String 5 (A): A3#
- String 4 (D): C4#
- String 3 (G): F4#
- String 2 (B): A4#
- String 1 (high E): F5#
How to Tune:
To achieve the Mayfield tuning from standard EADGBe, follow these string adjustments:
- String 6 (low E): Tune up 2 semitones to F#. (Target: F3#)
- String 5 (A): Tune up 1 semitone to A#. (Target: A3#)
- String 4 (D): Tune down 1 semitone to C#. (Target: C4#)
- String 3 (G): Tune down 1 semitone to F#. (Target: F4#)
- String 2 (B): Tune down 1 semitone to A#. (Target: A4#)
- String 1 (high E): Tune up 2 semitones to F#. (Target: F5#)
Note: All string movements are within a safe range for standard guitar strings, generally not exceeding 4 semitones up or down. For significant changes beyond this, a different string gauge might be advised, but it is not necessary for this tuning.
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Capos for F#A#C#F#A#F#
Capo | Tuning | Name |
---|---|---|
-3 | D#GA#D#GD# | Open D Alt |
-2 | EG#BEG#E | Drop Mayfield |
-1 | FACFAF | Facfaf |
0 | F#A#C#F#A#F# | Mayfield |
1 | GBDGBG | Open G Major |
More F#A#C#F#A#F# Resources
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Songs tuned to F#A#C#F#A#F#
Artist | Song | Album | Tab |
---|---|---|---|
Led Zeppelin | 1973-05-14: The Municipal Auditorium, New Orleans, LA, USA | ||
Curtis Mayfield | people get ready | The Best of Curtis Mayfield | View Tab |
Sturgill Simpson | Long White Line | Metamodern Sounds in Country Music | |
The Tallest Man On Earth | Fly in Numbers | ||
Nirvana | Smells Like Teen Spirit | ||
Taylor Swift | Speak Now (Taylor’s version) | ||
Taylor Swift | Speak Now (Taylor’s version) | ||
Taylor Swift | Speak Now (Taylor’s version) | ||
Taylor Swift | Speak Now (Taylor’s version) | ||
Taylor Swift | Speak Now (Taylor’s version) | ||
Taylor Swift | Speak Now (Taylor’s version) |
Please use the below form to submit a song for F#A#C#F#A#F# that is not already on gtdb.org.
Videos for F#A#C#F#A#F# on

Tuning Map
- Fret
- S6
- S5
- S4
- S3
- S2
- S1
- -13
- D#
- G#
- C#
- F#
- A#
- D#
- -12
- E
- A
- D
- G
- B
- E
- -11
- F
- A#
- D#
- G#
- C
- F
- -10
- F#
- B
- E
- A
- C#
- F#
- -9
- G
- C
- F
- A#
- D
- G
- -8
- G#
- C#
- F#
- B
- D#
- G#
- -7
- A
- D
- G
- C
- E
- A
- -6
- A#
- D#
- G#
- C#
- F
- A#
- -5
- B
- E
- A
- D
- F#
- B
- -4
- C
- F
- A#
- D#
- G
- C
- -3
- C#
- F#
- B
- E
- G#
- C#
- -2
- D
- G
- C
- F
- A
- D
- -1
- D#
- G#
- C#
- F#
- A#
- D#
- 0
- E
- A
- D
- G
- B
- E
- 1
- F
- A#
- D#
- G#
- C
- F
- 2
- F#
- B
- E
- A
- C#
- F#
- 3
- G
- C
- F
- A#
- D
- G
- 4
- G#
- C#
- F#
- B
- D#
- G#
- 5
- A
- D
- G
- C
- E
- A
- 6
- A#
- D#
- G#
- C#
- F
- A#
- 7
- B
- E
- A
- D
- F#
- B
- 2
- 1
- -1
- -1
- -1
- 2