F#A#C#G#A#F Guitar Tuner
F#A#C#G#A#F | G♭B♭D♭A♭B♭F Emo Tuning - Guitar tuning, chords & scales
Verbal Analysis
The "Emo Tuning," as it is named, is a vibrant and somewhat complex guitar tuning, often associated with the intricate and dynamic sounds of math rock. This tuning deviates significantly from standard EADGBE, creating a unique sonic landscape rich with extended harmonies and open voicings. Players will find this tuning offers a bright, almost shimmering quality, thanks to the raised pitch of several strings and the specific intervals. It encourages a more arpeggiated and melodic approach, perfect for creating the interwoven guitar lines characteristic of math rock and progressive genres. The open strings themselves present a full, resonant chord, making it easy to establish a harmonic foundation or explore complex textures without heavy fretting.
Technical Analysis
The open string notes for this tuning are: F#3 A#3 C#4 G#4 A#4 F4 (from low E to high E string).
Analyzing the open strings reveals a rich harmonic cluster. The lowest three strings (F#3, A#3, C#4) form a clear F# Major triad. This strong foundational chord provides an immediate sense of direction and resonance. Building upon this, the G#4 on the third string introduces a Major 9th (or 2nd) relative to F#, adding a jazzy or progressive color. The A#4 on the second string doubles the Major 3rd (A#) an octave higher, enhancing its prominence and providing excellent opportunities for open string drones and melodic leaps. Finally, the F4 on the first string acts as a Minor 7th relative to F#, transforming the overall open chord into an F#Maj7(add9) or a highly extended F# chord with a distinctive blend of major, minor, and added tones.
This specific voicing lends itself well to:
- Complex Arpeggios: The extended nature of the open chord encourages sweeping arpeggios across the strings, revealing the individual voices within the F#Maj7(add9) structure.
- Unique Chord Voicings: Familiar chord shapes will be recontextualized, leading to unexpected and fresh sounds. Simple two or three-finger shapes can yield sophisticated harmonies.
- Melodic Exploration: The tight intervals and specific string relationships (like the octave A#) provide a fertile ground for developing intricate melodic lines that weave through the harmonic backdrop.
- Math Rock Articulation: The tuning's inherent complexity and the prevalence of non-diatonic intervals (relative to a simple major/minor scale) are perfect for the angular, often dissonant, and harmonically adventurous nature of math rock.
How to Tune
To achieve the "Emo Tuning" from standard EADGBE, follow these steps. Please note that string tension changes, so tune carefully and check your intonation. For significant changes (generally exceeding negative 4 or positive 4 semitones), a different gauge string is often advised, though this tuning mostly involves smaller adjustments, making it generally safe for standard strings.
- 6th String (Low E): Tune up 2 semitones to F#3.
- 5th String (A): Tune up 1 semitone to A#3.
- 4th String (D): Tune down 1 semitone to C#4.
- 3rd String (G): Tune up 1 semitone to G#4.
- 2nd String (B): Tune down 1 semitone to A#4.
- 1st String (High E): Tune up 1 semitone to F4.
Here are the notes for each string in the Emo Tuning, from the thickest to the thinnest string:
- 6th String: F#3
- 5th String: A#3
- 4th String: C#4
- 3rd String: G#4
- 2nd String: A#4
- 1st String: F4
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Capos for F#A#C#G#A#F
Capo | Tuning | Name |
---|---|---|
-6 | CEGDEB | CEGDEB |
-5 | C#FG#D#FC | C#FG#D#FC |
-4 | DF#AEF#C# | Dmaj9 |
-3 | D#GA#FGD | D# G A# F G D |
-2 | EG#BF#G#D# | E MATH |
-1 | FACGAE | FACGAE |
0 | F#A#C#G#A#F | Emo Tuning |
1 | GBDABF# | Open Gmaj9 |
2 | G#CD#A#CG | G#CD#ACG |
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Tuning Map
- Fret
- S6
- S5
- S4
- S3
- S2
- S1
- -13
- D#
- G#
- C#
- F#
- A#
- D#
- -12
- E
- A
- D
- G
- B
- E
- -11
- F
- A#
- D#
- G#
- C
- F
- -10
- F#
- B
- E
- A
- C#
- F#
- -9
- G
- C
- F
- A#
- D
- G
- -8
- G#
- C#
- F#
- B
- D#
- G#
- -7
- A
- D
- G
- C
- E
- A
- -6
- A#
- D#
- G#
- C#
- F
- A#
- -5
- B
- E
- A
- D
- F#
- B
- -4
- C
- F
- A#
- D#
- G
- C
- -3
- C#
- F#
- B
- E
- G#
- C#
- -2
- D
- G
- C
- F
- A
- D
- -1
- D#
- G#
- C#
- F#
- A#
- D#
- 0
- E
- A
- D
- G
- B
- E
- 1
- F
- A#
- D#
- G#
- C
- F
- 2
- F#
- B
- E
- A
- C#
- F#
- 3
- G
- C
- F
- A#
- D
- G
- 4
- G#
- C#
- F#
- B
- D#
- G#
- 5
- A
- D
- G
- C
- E
- A
- 6
- A#
- D#
- G#
- C#
- F
- A#
- 7
- B
- E
- A
- D
- F#
- B
- 2
- 1
- -1
- 1
- -1
- 1