F#BEA Bass Electric Tuner
F#BEA | G♭BEA True Drop F# - Bass Electric tuning, chords & scales
The True Drop F# tuning for Electric Bass offers an incredibly deep and resonant tonal landscape, pushing the boundaries of conventional bass sound. As its description suggests, it provides an "Actual Tonal Range for a True Drop F#," delving into the sub-harmonic frequencies that define modern heavy genres like Metal, Djent, and other experimental forms of music.
Verbal Analysis:
This tuning is designed for players who demand extreme low-end presence and bone-rattling rumble. The overall character is dark, powerful, and capable of creating massive soundscapes. The name "True Drop F#" hints at the profound depth, but a key feature is the extremely low notes across the board, culminating in a B0 on the third string, which is even lower than the F#1 on the fourth string. This creates a uniquely unconventional string progression, where the third string is pitched lower than the fourth, offering both challenges and exciting sonic possibilities for adventurous bassists.
Technical Analysis:
The open strings are tuned as follows, from thickest to thinnest:
- String 4: F#1 (F sharp in the first octave, approximately 46.25 Hz)
- String 3: B0 (B in the sub-contra octave, approximately 30.87 Hz)
- String 2: E1 (E in the first octave, approximately 41.20 Hz)
- String 1: A1 (A in the first octave, approximately 55.00 Hz)
An immediate technical observation is the non-linear pitch progression across the physical strings. While 'string 4' is typically the lowest pitched, in this tuning, 'string 3' (B0) is actually the absolute lowest open note, even lower than 'string 4' (F#1). This creates a unique intervalic relationship:
- From String 4 (F#1) to String 3 (B0): This is an extremely wide interval of a compound perfect fifth down (17 semitones down), meaning String 3 is an octave and a perfect fifth below String 4.
- From String 3 (B0) to String 2 (E1): Perfect Fourth (5 semitones up).
- From String 2 (E1) to String 1 (A1): Perfect Fourth (5 semitones up).
The B0-E1-A1 sequence on strings 3, 2, and 1 provides a very familiar and versatile perfect fourth intervalic structure, ideal for movable power chords and classic bass lines. However, the F#1 on string 4, being higher in pitch than the adjacent string 3 (B0), will require players to adapt their fretboard navigation and chord shapes. It offers the potential for unique, wide-interval voicings and dissonances when played across all four strings, or can be used as a strong root for riffs.
For example, playing the open String 3 (B0), String 2 (E1), and String 1 (A1) yields a foundational stack of fourths, perfect for building powerful root-fifth-octave shapes or modal voicings. Integrating String 4 (F#1) alongside these can create distinct, tension-filled harmonies or extended chords, such as a Bsus4add#11 (B-E-F#-A) if played in the correct ascending pitch order (B0, E1, F#1, A1). The extreme low range makes this tuning perfect for rhythmic, percussive playing and creating dense sonic textures that fill a mix.
Open String Notes:
Here are the specific notes for each string, from thickest (String 4) to thinnest (String 1):
- String 4: F#1
- String 3: B0
- String 2: E1
- String 1: A1
How to Tune:
To achieve the True Drop F# tuning, each string requires a significant downward adjustment. Please proceed with caution and consider the string gauge recommendations below.
- String 4: Tune down 7 semitones to reach F#1. (This implies an original pitch of C#2)
- String 3: Tune down 7 semitones to reach B0. (This implies an original pitch of F#1)
- String 2: Tune down 7 semitones to reach E1. (This implies an original pitch of B1)
- String 1: Tune down 7 semitones to reach A1. (This implies an original pitch of E2)
Important Note on String Gauge: All strings in this tuning are being lowered by 7 semitones from their implied standard pitch. This is a very substantial drop, exceeding the recommended maximum of 4 semitones for standard string gauges. Tuning down this significantly can cause strings to become overly slack, lose intonation, detune easily, and potentially buzz. For optimal playability, tone, and to maintain proper string tension, it is highly recommended to use a heavier gauge string set specifically designed for extremely low tunings when using "True Drop F#."
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Capos for F#BEA
| Capo | Tuning | Name |
|---|---|---|
| -14 | F#F#BE | Slipknot - Scissors (Bass Tuning) [Drop F# Bass?] |
| -13 | F#F#BE | Slipknot - Scissors (Bass Tuning) [Drop F# Bass?] |
| -12 | F#F#BE | Slipknot - Scissors (Bass Tuning) [Drop F# Bass?] |
| -11 | F#F#BE | Slipknot - Scissors (Bass Tuning) [Drop F# Bass?] |
| -10 | F#F#BE | Slipknot - Scissors (Bass Tuning) [Drop F# Bass?] |
| -9 | F#F#BE | Slipknot - Scissors (Bass Tuning) [Drop F# Bass?] |
| -8 | F#F#BE | Slipknot - Scissors (Bass Tuning) [Drop F# Bass?] |
| -7 | F#F#BE | Slipknot - Scissors (Bass Tuning) [Drop F# Bass?] |
| -6 | F#F#BE | Slipknot - Scissors (Bass Tuning) [Drop F# Bass?] |
| -5 | F#F#BE | Slipknot - Scissors (Bass Tuning) [Drop F# Bass?] |
| -4 | F#F#BE | Slipknot - Scissors (Bass Tuning) [Drop F# Bass?] |
| -3 | F#F#BE | Slipknot - Scissors (Bass Tuning) [Drop F# Bass?] |
| -2 | F#F#BE | Slipknot - Scissors (Bass Tuning) [Drop F# Bass?] |
| -1 | F#F#BE | Slipknot - Scissors (Bass Tuning) [Drop F# Bass?] |
| 0 | F#F#BE | Slipknot - Scissors (Bass Tuning) [Drop F# Bass?] |
| 1 | F#F#BE | Slipknot - Scissors (Bass Tuning) [Drop F# Bass?] |
| 2 | F#F#BE | Slipknot - Scissors (Bass Tuning) [Drop F# Bass?] |
| 3 | F#F#BE | Slipknot - Scissors (Bass Tuning) [Drop F# Bass?] |
| 4 | F#F#BE | Slipknot - Scissors (Bass Tuning) [Drop F# Bass?] |
| 5 | F#F#BE | Slipknot - Scissors (Bass Tuning) [Drop F# Bass?] |
| 6 | F#F#BE | Slipknot - Scissors (Bass Tuning) [Drop F# Bass?] |
| 7 | F#F#BE | Slipknot - Scissors (Bass Tuning) [Drop F# Bass?] |
| 8 | F#F#BE | Slipknot - Scissors (Bass Tuning) [Drop F# Bass?] |
| 9 | F#F#BE | Slipknot - Scissors (Bass Tuning) [Drop F# Bass?] |
| 10 | F#F#BE | Slipknot - Scissors (Bass Tuning) [Drop F# Bass?] |
| 11 | F#F#BE | Slipknot - Scissors (Bass Tuning) [Drop F# Bass?] |
| 12 | F#F#BE | Slipknot - Scissors (Bass Tuning) [Drop F# Bass?] |
| 13 | F#F#BE | Slipknot - Scissors (Bass Tuning) [Drop F# Bass?] |
| 14 | F#F#BE | Slipknot - Scissors (Bass Tuning) [Drop F# Bass?] |
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Tuning Map
- Fret
- S9
- S8
- S7
- S6
- -13
- C
- F
- A#
- D#
- -12
- C#
- F#
- B
- E
- -11
- D
- G
- C
- F
- -10
- D#
- G#
- C#
- F#
- -9
- E
- A
- D
- G
- -8
- F
- A#
- D#
- G#
- -7
- F#
- B
- E
- A
- -6
- G
- C
- F
- A#
- -5
- G#
- C#
- F#
- B
- -4
- A
- D
- G
- C
- -3
- A#
- D#
- G#
- C#
- -2
- B
- E
- A
- D
- -1
- C
- F
- A#
- D#
- 0
- C#
- F#
- B
- E
- 1
- D
- G
- C
- F
- 2
- D#
- G#
- C#
- F#
- 3
- E
- A
- D
- G
- 4
- F
- A#
- D#
- G#
- 5
- F#
- B
- E
- A
- 6
- G
- C
- F
- A#
- 7
- G#
- C#
- F#
- B
- -7
- -7
- -7
- -7
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