F#BEADG Bass Electric Tuner
F#BEADG | G♭BEADG F#0 Standard 6 String Bass - Bass Electric tuning, chords & scales
Welcome to the incredibly deep and resonant world of the Abyssal Djent Drop tuning for your 6-string Electric Bass. As its original name, "F#0 standard 6 string bass," suggests and its description, "THE OTHER djent tuning," affirms, this setup is engineered for the most extreme low-end sonic assault, perfect for modern progressive and metal genres like djent.
Verbal Analysis:
This tuning transforms your 6-string bass into an instrument of colossal depth, delivering an absolutely seismic foundation to any mix. It’s not just low; it's abyssally low, pushing the boundaries of typical bass frequency ranges. The intention here is clear: provide a dense, percussive, and earth-shattering wall of sound that defines the djent aesthetic. Prepare for unparalleled sub-bass rumble and punch that you can feel as much as hear.
Technical Analysis:
- Instrument: 6-string Electric Bass
- Tuning Structure: This tuning maintains the standard intervals of a bass guitar (fourths between strings, specifically), but transposed to an extraordinarily low register. The open notes from low to high are:
- 6th String (Lowest): F#1
- 5th String: B0
- 4th String: E1
- 3rd String: A1
- 2nd String: D2
- 1st String (Highest): G2
- Open Chords & Accessibility: While bass guitars typically don't strum open chords, the consistent standard interval structure (all perfect fourths) means that all familiar scale shapes, arpeggios, and intervallic patterns remain the same, just shifted down significantly. This allows bassists to easily transition their existing knowledge to this extremely low tuning. Power chords (root and fifth) are readily available across adjacent lower strings (e.g., F#1 on the 6th string and B0 on the 5th string, or E1 on the 4th string and A1 on the 3rd string), providing a solid foundation for heavy riffing. The extreme low B0 and F#1 notes open up new possibilities for devastatingly low chugs and extended range exploration, pushing the sonic boundaries of what a bass can achieve.
How to Tune Your Bass to Abyssal Djent Drop:
Achieving this profoundly low tuning requires careful adjustment of your string tension. Please follow these instructions precisely for each string, starting from the thickest (6th) to the thinnest (1st).
- 6th String (Lowest): Tune down 7 semitones to F#1.
- 5th String: Tune down 12 semitones (a full octave) to B0.
- 4th String: Tune down 12 semitones (a full octave) to E1.
- 3rd String: Tune down 12 semitones (a full octave) to A1.
- 2nd String: Tune down 12 semitones (a full octave) to D2.
- 1st String (Highest): Tune down 12 semitones (a full octave) to G2.
Important String Gauge Advisory:
Please note: All string movements in this tuning exceed the recommended safe range of 4 semitones up or down from standard gauge strings. Tuning down 7 semitones and especially 12 semitones (a full octave) on multiple strings will significantly reduce string tension. To achieve optimal playability, intonation, and tone without excessive floppiness or potential damage, it is highly advised to use a significantly heavier gauge string set specifically designed for extremely low tunings. Consult a string gauge chart or an experienced luthier to select appropriate strings for this "Abyssal Djent Drop" tuning.
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Tuning Map
- Fret
- S9
- S7
- S6
- S5
- S4
- S3
- -13
- C
- A#
- D#
- G#
- C#
- F#
- -12
- C#
- B
- E
- A
- D
- G
- -11
- D
- C
- F
- A#
- D#
- G#
- -10
- D#
- C#
- F#
- B
- E
- A
- -9
- E
- D
- G
- C
- F
- A#
- -8
- F
- D#
- G#
- C#
- F#
- B
- -7
- F#
- E
- A
- D
- G
- C
- -6
- G
- F
- A#
- D#
- G#
- C#
- -5
- G#
- F#
- B
- E
- A
- D
- -4
- A
- G
- C
- F
- A#
- D#
- -3
- A#
- G#
- C#
- F#
- B
- E
- -2
- B
- A
- D
- G
- C
- F
- -1
- C
- A#
- D#
- G#
- C#
- F#
- 0
- C#
- B
- E
- A
- D
- G
- 1
- D
- C
- F
- A#
- D#
- G#
- 2
- D#
- C#
- F#
- B
- E
- A
- 3
- E
- D
- G
- C
- F
- A#
- 4
- F
- D#
- G#
- C#
- F#
- B
- 5
- F#
- E
- A
- D
- G
- C
- 6
- G
- F
- A#
- D#
- G#
- C#
- 7
- G#
- F#
- B
- E
- A
- D
- -7
- -12
- -12
- -12
- -12
- -12