F#BEADGCEA Guitar Tuner
F#BEADGCEA | G♭BEADGCEA 9 String Standard Tuning Down A Fourth - Guitar tuning, chords & scales
This tuning, aptly named 9 String F# Standard Tuning, provides an incredibly deep and resonant sonic foundation, extending the familiar standard guitar pattern into the extreme lower registers. It offers a powerful, articulate low end that is perfect for genres like djent, doom metal, progressive metal, and any style requiring an expansive tonal palette. The overall feel is one of immense depth and clarity, allowing for complex riffs and atmospheric soundscapes.
Technically, the open strings are tuned to F#1 B0 E1 A1 D2 G2 C3 E3 A3 (from the lowest, thickest string to the highest, thinnest string). This tuning faithfully maintains the intervalic relationships of standard guitar tuning across most strings: you'll find perfect fourths between F#1-B0, B0-E1, E1-A1, A1-D2, D2-G2, G2-C3, and E3-A3. The classic major third interval is preserved between C3-E3, mimicking the G-B interval found in standard 6-string tuning. This consistent interval structure is a significant advantage, as it means that any chord shapes or scale patterns familiar to players of 6, 7, or 8-string guitars in standard tuning can be directly applied here, simply sounding significantly lower in pitch.
While the open strings themselves do not form a simple major or minor chord, the predictable interval patterns make this a highly intuitive tuning for extended-range players. All standard open and barred chord shapes are within reach, merely transposed to fit the F# key signature. For example, a familiar E major chord shape (022100) if played on the 7th string and higher (E1-A1-D2-G2-C3-E3) would effectively create an A major chord in this tuning's context, transposed down a perfect fifth from its position in standard EADGBe tuning. This makes it easy to transfer existing musical knowledge to this powerful low-end setup.
How to Tune:
To achieve the 9 String F# Standard Tuning, you will be tuning down significantly from a hypothetical higher reference point. Given the substantial drop of 7 semitones (a perfect fifth) for every string, it is absolutely crucial to use appropriate string gauges for this deep tuning to maintain proper tension, intonation, and playability. Heavier gauge strings are strongly advised for any string movement exceeding negative 4 or positive 4 semitones to prevent excessive slack or breakage.
- 9th String (Lowest): Tune down 7 semitones to F#1. This is a substantial drop of a perfect fifth.
- 8th String: Tune down 7 semitones to B0. This is a substantial drop of a perfect fifth.
- 7th String: Tune down 7 semitones to E1. This is a substantial drop of a perfect fifth.
- 6th String: Tune down 7 semitones to A1. This is a substantial drop of a perfect fifth.
- 5th String: Tune down 7 semitones to D2. This is a substantial drop of a perfect fifth.
- 4th String: Tune down 7 semitones to G2. This is a substantial drop of a perfect fifth.
- 3rd String: Tune down 7 semitones to C3. This is a substantial drop of a perfect fifth.
- 2nd String: Tune down 7 semitones to E3. This is a substantial drop of a perfect fifth.
- 1st String (Highest): Tune down 7 semitones to A3. This is a substantial drop of a perfect fifth.
The open strings for the 9 String F# Standard Tuning are:
- 9th String (Lowest): F#1
- 8th String: B0
- 7th String: E1
- 6th String: A1
- 5th String: D2
- 4th String: G2
- 3rd String: C3
- 2nd String: E3
- 1st String (Highest): A3
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Capos for F#BEADGCEA
Capo | Tuning | Name |
---|---|---|
-6 | CFA#D#G#C#F#A#D# | 9 String Standard Down 13 Semi Tones |
0 | F#BEADGCEA | 9 String Standard Tuning Down A Fourth |
5 | BEADGCFAD | Cmaj13 |
6 | CFA#D#G#C#F#A#D# | 1 Step Down |
7 | C#F#BEADGBE | Standard 9 String |
8 | DGCFA#D#G#CF | D Standard, 9 String. 1/2 Step Up. |
10 | EADGCFA#DG | Octar |
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Tuning Map
- Fret
- S9
- S8
- S7
- S6
- S5
- S4
- S3
- S2
- S1
- -13
- C
- F
- A#
- D#
- G#
- C#
- F#
- A#
- D#
- -12
- C#
- F#
- B
- E
- A
- D
- G
- B
- E
- -11
- D
- G
- C
- F
- A#
- D#
- G#
- C
- F
- -10
- D#
- G#
- C#
- F#
- B
- E
- A
- C#
- F#
- -9
- E
- A
- D
- G
- C
- F
- A#
- D
- G
- -8
- F
- A#
- D#
- G#
- C#
- F#
- B
- D#
- G#
- -7
- F#
- B
- E
- A
- D
- G
- C
- E
- A
- -6
- G
- C
- F
- A#
- D#
- G#
- C#
- F
- A#
- -5
- G#
- C#
- F#
- B
- E
- A
- D
- F#
- B
- -4
- A
- D
- G
- C
- F
- A#
- D#
- G
- C
- -3
- A#
- D#
- G#
- C#
- F#
- B
- E
- G#
- C#
- -2
- B
- E
- A
- D
- G
- C
- F
- A
- D
- -1
- C
- F
- A#
- D#
- G#
- C#
- F#
- A#
- D#
- 0
- C#
- F#
- B
- E
- A
- D
- G
- B
- E
- 1
- D
- G
- C
- F
- A#
- D#
- G#
- C
- F
- 2
- D#
- G#
- C#
- F#
- B
- E
- A
- C#
- F#
- 3
- E
- A
- D
- G
- C
- F
- A#
- D
- G
- 4
- F
- A#
- D#
- G#
- C#
- F#
- B
- D#
- G#
- 5
- F#
- B
- E
- A
- D
- G
- C
- E
- A
- 6
- G
- C
- F
- A#
- D#
- G#
- C#
- F
- A#
- 7
- G#
- C#
- F#
- B
- E
- A
- D
- F#
- B
- -7
- -7
- -7
- -7
- -7
- -7
- -7
- -7
- -7