F#C#ABADF# Guitar Tuner
F#C#ABADF# | Gâ™Dâ™ABADGâ™ Scourge System - 7 String - Guitar tuning, chords & scales
Tuning Analysis: Scourge System - 7 String
The "Scourge System - 7 String" is an innovative open tuning for the 7-string guitar, originally conceived by songwriter Eidolon Scourge. As described by its creator, this tuning dramatically expands the instrument's tonal range across both lower and upper registers, offering a versatile foundation for complex harmonic and melodic explorations.
Verbal Analysis
This tuning transforms your 7-string guitar into a powerful sonic canvas. In its open position, it creates a rich and resonant B minor 9 chord with an F# bass (Bm9/F#). This immediately provides a dark, expansive, and almost cinematic sound, ideal for genres that demand depth and atmospheric qualities such as progressive metal, ambient soundscapes, or experimental music. The presence of multiple F# and A notes throughout the tuning allows for powerful octave voicings and droning effects, creating a sense of vastness. The wider intervals between some strings, particularly between String 5 (A2) and String 4 (B2), and String 4 (B2) and String 3 (A3), encourage unconventional chord shapes and open up new melodic possibilities beyond standard fingerings. The extended range downwards to F#2 and upwards to F#5 truly pushes the boundaries of the 7-string's capabilities.
Technical Analysis
The open notes for the "Scourge System - 7 String" are precisely:
- String 7: F#2
- String 6: C#3
- String 5: A2
- String 4: B2
- String 3: A3
- String 2: D4
- String 1: F#5
When played open, these notes collectively form a B minor 9 chord (B-D-F#-A-C#) with an F# in the bass (F#2, B2, D4, F#5, A2/A3, C#3). This provides a full, harmonically sophisticated chord without fretting.
Chordal and Voicing Potential:
- Open Bm9/F# Chord: The entire tuning is designed around this rich, extended minor chord, readily available in the open position.
- Power Chords: Standard 5th interval power chords can be easily formed across the lower strings (e.g., F#-C# on strings 7 and 6).
- Octave Voicings: The presence of two F# notes (F#2, F#5) and two A notes (A2, A3) allows for compelling octave voicings and resonant drone effects.
- Movable Shapes: While some standard chord shapes will be re-contextualized, new and unique movable shapes will emerge, particularly for minor 7th, 9th, and suspended voicings, encouraging creative fretboard exploration.
- Dominant 7th Chords: By adding a G# on string 4 (fretted 2nd fret from B), one could imply a C#7 chord for dominant functionality.
How to Tune
To achieve the "Scourge System - 7 String" tuning, carefully adjust each string to the target note, following the specified semitone movements. Use a reliable tuner for accuracy.
- 7th String (Low): Tune down 5 semitones to reach F#2. Caution: Tuning down 5 semitones is a significant change. Ensure your string gauge can handle this tension reduction without becoming too loose or buzzing excessively. You may consider a heavier gauge for this string.
- 6th String: Tune down 3 semitones to reach C#3.
- 5th String: Keep as is; no change (0 semitones) to remain at A2.
- 4th String: Tune down 3 semitones to reach B2.
- 3rd String: Tune up 2 semitones to reach A3.
- 2nd String: Tune up 3 semitones to reach D4. Caution: Tuning up 3 semitones is a moderate increase in tension. Monitor your string and bridge for undue stress.
- 1st String (High): Tune up 2 semitones to reach F#5.
The "Scourge System - 7 String" tuning setup is as follows, from the lowest (7th) string to the highest (1st) string:
- 7th String: F#2
- 6th String: C#3
- 5th String: A2
- 4th String: B2
- 3rd String: A3
- 2nd String: D4
- 1st String: F#5
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Capos for F#C#ABADF#
| Capo | Tuning | Name |
|---|---|---|
| 0 | F#C#ABADF# | Scourge System - 7 String |
Songs tuned to F#C#ABADF#
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Tuning Map
- Fret
- S7
- S6
- S5
- S4
- S3
- S2
- S1
- -13
- A#
- D#
- G#
- C#
- F#
- A#
- D#
- -12
- B
- E
- A
- D
- G
- B
- E
- -11
- C
- F
- A#
- D#
- G#
- C
- F
- -10
- C#
- F#
- B
- E
- A
- C#
- F#
- -9
- D
- G
- C
- F
- A#
- D
- G
- -8
- D#
- G#
- C#
- F#
- B
- D#
- G#
- -7
- E
- A
- D
- G
- C
- E
- A
- -6
- F
- A#
- D#
- G#
- C#
- F
- A#
- -5
- F#
- B
- E
- A
- D
- F#
- B
- -4
- G
- C
- F
- A#
- D#
- G
- C
- -3
- G#
- C#
- F#
- B
- E
- G#
- C#
- -2
- A
- D
- G
- C
- F
- A
- D
- -1
- A#
- D#
- G#
- C#
- F#
- A#
- D#
- 0
- B
- E
- A
- D
- G
- B
- E
- 1
- C
- F
- A#
- D#
- G#
- C
- F
- 2
- C#
- F#
- B
- E
- A
- C#
- F#
- 3
- D
- G
- C
- F
- A#
- D
- G
- 4
- D#
- G#
- C#
- F#
- B
- D#
- G#
- 5
- E
- A
- D
- G
- C
- E
- A
- 6
- F
- A#
- D#
- G#
- C#
- F
- A#
- 7
- F#
- B
- E
- A
- D
- F#
- B
- -5
- -3
- 0
- -3
- 2
- 3
- 2
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