F#C#AEF#C# Guitar Tuner
F#C#AEF#C# | G♭D♭AEG♭D♭ F#1 Alt 6 String - Guitar tuning, chords & scales
This is a radical "F#1 Alt 6 String" alternate tuning for the 6-string guitar, primarily designed for a deep, resonant, and heavy sound. It transforms your instrument into a beast, ideal for genres like metal, djent, or any style demanding a low-end growl and full, complex voicings. The extensive downtuning across all strings creates a unique sonic landscape that can add immense power and depth to your playing.
Technical Analysis
The open string notes are configured as: F♯2, C♯3, A2, E3, F♯4, C♯5. This specific configuration forms a powerful F♯ minor 7th chord (F♯-A-C♯-E) when strummed open, with the higher F♯ and C♯ notes providing rich upper harmonic support. Analyzing the intervals from the lowest F♯2: the 5th string (C♯3) is a perfect fifth up, the 4th string (A2) is a minor third up, the 3rd string (E3) is a major seventh up, the 2nd string (F♯4) is an octave up, and the 1st string (C♯5) is a perfect fifth an octave higher. This carefully constructed tuning offers a full, melancholic, and driving sound right from the open position, making it incredibly expressive for dramatic or heavy musical passages.
Chords and Playability
- Open F♯m7 Chord: The most striking feature is the immediate availability of a full F♯ minor 7th chord simply by strumming all open strings. This is fantastic for drone parts, heavy rhythm sections, or dramatic intros and outros.
- Power Chords: The lowest two strings (F♯2 and C♯3) are a perfect fifth apart, making F♯ power chords exceptionally easy to execute by simply barring across these strings. This natural perfect fifth interval on the lowest strings allows for quick and powerful root-fifth power chords that can be shifted effortlessly up the neck.
- Minor Voicings: Given the inherent F♯m7 structure, many minor-based riffs and melodic lines will naturally fall into place and resonate beautifully, offering a somber or aggressive tonal quality.
- Droning: The low F♯, A, C♯, and E notes provide excellent foundations for droning, creating a thick, sustained backdrop for lead lines or percussive rhythms, enriching the overall sound.
How to Tune
This tuning requires significant downtuning for most strings from standard E Standard tuning (E-A-D-G-B-E). It is strongly recommended to use a heavier gauge string set, especially for the lower strings, to maintain proper string tension, intonation, and playability. Failure to do so may result in very loose, floppy strings and poor tone. When movements exceed negative 4 or positive 4 semitones, a different gauge string is generally advised for optimal performance.
- 6th String (Low E to F♯2): Tune down 10 semitones. A significantly heavier gauge string is strongly advised due to this extreme drop (-10 semitones).
- 5th String (A to C♯3): Tune down 8 semitones. A significantly heavier gauge string is strongly advised due to this extreme drop (-8 semitones).
- 4th String (D to A2): Tune down 5 semitones. A heavier gauge string is recommended for optimal tension (-5 semitones).
- 3rd String (G to E3): Tune down 3 semitones. Exercise care, but this movement is generally manageable with standard string gauges (-3 semitones).
- 2nd String (B to F♯4): Tune down 5 semitones. A heavier gauge string is recommended for optimal tension (-5 semitones).
- 1st String (High E to C♯5): Tune down 3 semitones. Exercise care, but this movement is generally manageable with standard string gauges (-3 semitones).
6th String: F♯2 (The lowest note, serving as the foundational root of the F♯ minor 7th chord.)
5th String: C♯3 (A perfect fifth above the 6th string, providing harmonic power and depth.)
4th String: A2 (A minor third above the 6th string, crucial for establishing the minor tonality.)
3rd String: E3 (A major seventh above the 6th string, completing the F♯m7 chord and adding tension.)
2nd String: F♯4 (An octave higher F♯, reinforcing the root with a brighter resonance.)
1st String: C♯5 (A perfect fifth an octave higher than the 5th string, adding brilliance and harmonic richness to the upper register.)
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Capos for F#C#AEF#C#
| Capo | Tuning | Name |
|---|---|---|
| 0 | F#C#AEF#C# | F#1 Alt 6 String |
| 2 | G#D#BF#G#D# | G# Minor Seven Open |
| 3 | AECGAE | Benjamin Skafte |
| 4 | A#FC#G#A#F | Alt A# Tuning |
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Tuning Map
- Fret
- S6
- S5
- S4
- S3
- S2
- S1
- -13
- D#
- G#
- C#
- F#
- A#
- D#
- -12
- E
- A
- D
- G
- B
- E
- -11
- F
- A#
- D#
- G#
- C
- F
- -10
- F#
- B
- E
- A
- C#
- F#
- -9
- G
- C
- F
- A#
- D
- G
- -8
- G#
- C#
- F#
- B
- D#
- G#
- -7
- A
- D
- G
- C
- E
- A
- -6
- A#
- D#
- G#
- C#
- F
- A#
- -5
- B
- E
- A
- D
- F#
- B
- -4
- C
- F
- A#
- D#
- G
- C
- -3
- C#
- F#
- B
- E
- G#
- C#
- -2
- D
- G
- C
- F
- A
- D
- -1
- D#
- G#
- C#
- F#
- A#
- D#
- 0
- E
- A
- D
- G
- B
- E
- 1
- F
- A#
- D#
- G#
- C
- F
- 2
- F#
- B
- E
- A
- C#
- F#
- 3
- G
- C
- F
- A#
- D
- G
- 4
- G#
- C#
- F#
- B
- D#
- G#
- 5
- A
- D
- G
- C
- E
- A
- 6
- A#
- D#
- G#
- C#
- F
- A#
- 7
- B
- E
- A
- D
- F#
- B
- -10
- -8
- -5
- -3
- -5
- -3
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