F#F#BEF#B Guitar Tuner
F#F#BEF#B | G♭G♭BEG♭B Open Bsus4 / F# Octave Drop - Guitar tuning, chords & scales
Verbal Analysis
The 'Open Bsus4 / F# Octave Drop' tuning presents a deep, resonant sound perfect for styles requiring a thick, impactful low end. Derived by lowering the C#sus4 Octave Drop tuning by a full step, it naturally produces a rich Bsus4 chord (B-E-F#) with an F# bass when played open. This creates an expansive, almost symphonic backdrop, ideal for ambient soundscapes, heavy riffs, or open-string melodic exploration. The 'Octave Drop' aspect is immediately apparent through the wide range of F# and B notes across the strings, giving the tuning a huge sonic footprint from its lowest F#2 to its highest F#4.
Technical Analysis
This tuning sets the guitar's open strings to F#2, F#3, B2, E3, F#4, B3 (from low E to high E string positions). The core harmonic content consists of F#, B, and E, forming a Bsus4 chord (B, E, F#). With F#2 as the lowest note, the tuning functions as a Bsus4 chord with an F# bass, often notated as Bsus4/F#. The distribution of notes creates interesting harmonic relationships:
- The two lowest strings (F#2 and F#3) are an octave apart, providing a powerful bass foundation.
- String 4 (B2) creates a perfect fourth interval above the lowest F#2, establishing the root of the Bsus4 chord.
- String 3 (E3) is a perfect fourth above B2, providing the 'suspended 4th' quality of the chord.
- String 2 (F#4) is an octave higher than F#3, and a major second an octave above E3, reinforcing the fifth of the Bsus4 chord in a high register.
- String 1 (B3) is a perfect fifth below F#4, adding another B note an octave above B2, completing the chord's voicing.
The tuning's structure makes it exceptionally versatile for:
- Open Chords: All strings played open yield a full Bsus4/F# chord, eliminating the need for complex fingerings to achieve a rich, open voicing.
- Barre Chords: Barring all six strings at any fret will instantly produce a transposed Bsus4/F# chord, making it very easy to create complex harmonic movements with minimal effort. For instance, barring at the 2nd fret produces C#sus4/G#.
- Power Chords & Drones: The octave and perfect fourth relationships, especially on the lower strings, are perfect for crafting powerful, droning power chords or expansive, sustained textures.
- Melodic Playing: The high F#4 and B3 notes offer a bright, clear range for lead lines and melodies, contrasting beautifully with the deep fundamental tones.
Tuning Notes
- String 6 (Lowest): F#2
- String 5: F#3
- String 4: B2
- String 3: E3
- String 2: F#4
- String 1 (Highest): B3
How to Tune
Note: When tuning significantly down, strings can become very loose. To maintain optimal tension and playability, especially for movements exceeding 4 semitones, a heavier gauge string set may be advised.
- String 6 (F#2): Tune down 10 semitones. (A heavier gauge string is strongly advised for this significant drop in pitch to maintain proper tension.)
- String 5 (F#3): Tune down 3 semitones.
- String 4 (B2): Tune down 3 semitones.
- String 3 (E3): Tune down 3 semitones.
- String 2 (F#4): Tune down 5 semitones. (Consider a heavier gauge string to compensate for the reduced tension from tuning down.)
- String 1 (B3): Tune down 5 semitones. (Consider a heavier gauge string to compensate for the reduced tension from tuning down.)
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Capos for F#F#BEF#B
| Capo | Tuning | Name |
|---|---|---|
| 0 | F#F#BEF#B | Open Bsus4 / F# Octave Drop |
| 2 | G#G#C#F#G#C# | C#G#C#F#G#C# + G#G#C#F#A#D# |
| 3 | AADGAD | AADGAD |
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Tuning Map
- Fret
- S6
- S5
- S4
- S3
- S2
- S1
- -13
- D#
- G#
- C#
- F#
- A#
- D#
- -12
- E
- A
- D
- G
- B
- E
- -11
- F
- A#
- D#
- G#
- C
- F
- -10
- F#
- B
- E
- A
- C#
- F#
- -9
- G
- C
- F
- A#
- D
- G
- -8
- G#
- C#
- F#
- B
- D#
- G#
- -7
- A
- D
- G
- C
- E
- A
- -6
- A#
- D#
- G#
- C#
- F
- A#
- -5
- B
- E
- A
- D
- F#
- B
- -4
- C
- F
- A#
- D#
- G
- C
- -3
- C#
- F#
- B
- E
- G#
- C#
- -2
- D
- G
- C
- F
- A
- D
- -1
- D#
- G#
- C#
- F#
- A#
- D#
- 0
- E
- A
- D
- G
- B
- E
- 1
- F
- A#
- D#
- G#
- C
- F
- 2
- F#
- B
- E
- A
- C#
- F#
- 3
- G
- C
- F
- A#
- D
- G
- 4
- G#
- C#
- F#
- B
- D#
- G#
- 5
- A
- D
- G
- C
- E
- A
- 6
- A#
- D#
- G#
- C#
- F
- A#
- 7
- B
- E
- A
- D
- F#
- B
- -10
- -3
- -3
- -3
- -5
- -5
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