F#F#BEG#C# Guitar Tuner
F#F#BEG#C# | G♭G♭BEA♭D♭ Architects C#Standard With Low F# - Guitar tuning, chords & scales
Architects C#Standard with Low F# Tuning Analysis
Verbal Description
This is the Architects C#Standard with Low F# tuning, famously utilized by the band Architects to achieve their signature heavy, articulate sound. Described as "basically Drop B, but with the bottom string tuned down further to F#," this tuning takes an already deep foundation and plunges it into even lower sonic depths. It's engineered for maximum impact, delivering thunderous low-end chugs and a massive, resonant feel perfect for modern metal and hardcore genres. The unique juxtaposition of the extremely low 6th string against the specific octaves of the higher strings creates a vast dynamic range, allowing for both crushing riffs and soaring melodic passages.
Technical Analysis
At its core, this tuning provides a heavy, somewhat dissonant, yet highly powerful sonic palette. The open strings are tuned as follows, from the thickest (6th) to the thinnest (1st): F#2, F#3, B2, E3, G#4, C#5. This setup presents some fascinating intervals and chordal possibilities:
- The 6th string (F#2) and 5th string (F#3) are tuned an exact octave apart, providing immense thickness and a foundation for crushing low F# power chords.
- Intriguingly, the 4th string (B2) is tuned lower than the 5th string (F#3), creating a unique melodic and harmonic landscape where standard chord shapes need to be re-evaluated. This allows for open B power chords with the F# bass (6th string) and B (4th string) with a unique voicing.
- The open combination of the 6th, 4th, and 3rd strings (F#2, B2, E3) forms an Eadd4/F# chord (or E/F#), providing a rich, suspended quality over a very deep bass.
- When played open, the top three strings (E3, G#4, C#5) suggest elements of an E major triad or a C# minor triad (C#, E, G#) with the E as the lowest note, offering a powerful, yet potentially melancholic, upper register.
- The overall tuning fosters expansive voicings and chugging rhythms, with the extreme low F# acting as a powerful anchor for heavy, modern metal compositions.
How to Tune
To achieve the Architects C#Standard with Low F# tuning, start from standard EADGBe tuning and adjust your strings as follows:
- 6th String (Low E): Tune up 5 semitones to F#2. Caution: Tuning up 5 semitones is a significant increase in string tension, well beyond common adjustments. We strongly advise using a heavier gauge string specifically designed for this range to prevent breakage and maintain optimal intonation.
- 5th String (A): Tune down 3 semitones to F#3.
- 4th String (D): Tune down 3 semitones to B2.
- 3rd String (G): Tune down 3 semitones to E3.
- 2nd String (B): Tune down 3 semitones to G#4.
- 1st String (High E): Tune down 3 semitones to C#5.
6th String: F#2 (The lowest note, providing an extremely deep, resonant foundation for heavy riffs.)
5th String: F#3 (An octave higher than the 6th string, it reinforces the low F# and creates a powerful, thick open octave.)
4th String: B2 (Notably lower than the 5th string, this string allows for unique low voicings and provides a perfect 5th to the 6th string's F#, creating open F#5 power chords easily.)
3rd String: E3 (A perfect fourth above the 4th string, contributing to chordal structures in the mid-low range.)
2nd String: G#4 (A major third above the 3rd string, significantly higher in octave, providing a bright, melodic contrast to the lower strings.)
1st String: C#5 (A perfect fourth above the 2nd string, completing the higher melodic range and allowing for intricate lead work and open voicings.)
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Comments - have your say on F#F#BEG#C#
Capos for F#F#BEG#C#
| Capo | Tuning | Name |
|---|---|---|
| -8 | A#A#D#G#CF | Double Drop A# (Only For Bass XI's Or 30" Baritones) |
| -6 | CCFA#DG | Octave Drop C1 |
| 0 | F#F#BEG#C# | Architects C#Standard With Low F# |
| 3 | ADGBE | 5 String Guitar ADGBE |
| 4 | A#D#G#CF | One Sharp EADGBE |
| 7 | C#F#BD#G# | Fgh |
| 10 | EADF#B | Bandolin |
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Tuning Map
- Fret
- S9
- S5
- S4
- S3
- S2
- S1
- -13
- C
- G#
- C#
- F#
- A#
- D#
- -12
- C#
- A
- D
- G
- B
- E
- -11
- D
- A#
- D#
- G#
- C
- F
- -10
- D#
- B
- E
- A
- C#
- F#
- -9
- E
- C
- F
- A#
- D
- G
- -8
- F
- C#
- F#
- B
- D#
- G#
- -7
- F#
- D
- G
- C
- E
- A
- -6
- G
- D#
- G#
- C#
- F
- A#
- -5
- G#
- E
- A
- D
- F#
- B
- -4
- A
- F
- A#
- D#
- G
- C
- -3
- A#
- F#
- B
- E
- G#
- C#
- -2
- B
- G
- C
- F
- A
- D
- -1
- C
- G#
- C#
- F#
- A#
- D#
- 0
- C#
- A
- D
- G
- B
- E
- 1
- D
- A#
- D#
- G#
- C
- F
- 2
- D#
- B
- E
- A
- C#
- F#
- 3
- E
- C
- F
- A#
- D
- G
- 4
- F
- C#
- F#
- B
- D#
- G#
- 5
- F#
- D
- G
- C
- E
- A
- 6
- G
- D#
- G#
- C#
- F
- A#
- 7
- G#
- E
- A
- D
- F#
- B
- 5
- -3
- -3
- -3
- -3
- -3
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