F#F#D#G#C#F#A#D# Guitar Tuner
F#F#D#G#C#F#A#D# | G♭G♭E♭A♭D♭G♭B♭E♭ Double Drop F# (8-String) - Guitar tuning, chords & scales
Verbal Analysis: Double Drop F# (8-String)
This "Double Drop F# (8-String)" tuning plunges into extreme low frequencies, specifically engineered for an 8-string guitar. It's a formidable tuning often embraced in heavy genres like djent, progressive metal, and deathcore, offering unparalleled sonic depth and a guttural rumble. The name itself, "Double Drop F#", highlights its unique characteristic: having the two lowest strings tuned to F# in different octaves (F#1 and F#2). This creates a massive, resonant foundation that is perfect for crushing chugging riffs and punishing breakdowns. The overall feel is dark, aggressive, and highly percussive, allowing for complex polyrhythms and expansive soundscapes that fully leverage the instrument's extended range. This tuning was notably used by the artist TiffuZeless in their videos (Video 1, Video 2, Video 3), showcasing its capability for intricate and immensely heavy compositions.
Technical Analysis: Open Notes and Chords
The open notes for this 8-string tuning are:
- String 8 (lowest): F1#
- String 7: F2#
- String 6: D3#
- String 5: G3#
- String 4: C4#
- String 3: F4#
- String 2: A4#
- String 1 (highest): D5#
Let's examine the intervals between consecutive open strings:
- String 8 (F#1) to String 7 (F#2): Perfect Octave (P8)
- String 7 (F#2) to String 6 (D#3): Minor 7th (m7)
- String 6 (D#3) to String 5 (G#3): Perfect 4th (P4)
- String 5 (G#3) to String 4 (C#4): Perfect 4th (P4)
- String 4 (C#4) to String 3 (F#4): Perfect 4th (P4)
- String 3 (F#4) to String 2 (A#4): Major 3rd (M3)
- String 2 (A#4) to String 1 (D#5): Perfect 4th (P4)
The presence of an octave between the two lowest F# strings (F#1-F#2) is a defining feature, allowing for incredibly powerful and tight low-end riffing. The subsequent strings (6 through 3) are tuned in consistent perfect fourths (D#3-G#3-C#4-F#4). This quartal progression makes many common shapes easily transposable across these strings, facilitating wide, intervallic voicings and complex chord structures typically found in jazz and fusion, but here adapted for extreme low tunings.
Chordal Possibilities:
- A powerful D# minor triad can be formed using the open strings: D#3 (String 6), F#4 (String 3), and A#4 (String 2). This provides a rich, dark harmonic center.
- While traditional major/minor open chords are less common due to the unique intervals, the consistent P4s across strings 6-3 make quartal harmony and power chords (by adjusting fret positions) highly accessible.
- The F# octaves on the lowest strings provide a strong root for F# minor or F# Phrygian dominant modes, allowing for complex melodic and rhythmic patterns to be built around this low anchor.
- The tuning's design facilitates playing heavy, percussive riffs where open strings ring out for drone-like effects, complementing the low-end chugging. Complex voicings often involve open strings combined with fretted notes on adjacent strings, creating dense harmonies and wide intervallic jumps characteristic of modern metal.
String Notes
String 8 (lowest): F1#
String 7: F2#
String 6: D3#
String 5: G3#
String 4: C4#
String 3: F4#
String 2: A4#
String 1 (highest): D5#
How to Tune Your Guitar
- String 8 (F1#): Tune down 12 semitones. This is a full octave drop and may require a significantly heavier gauge string to maintain proper tension and intonation.
- String 7 (F2#): Tune down 5 semitones. As this is a drop of more than 4 semitones, a different gauge string is advised for optimal performance and string tension.
- String 6 (D3#): Tune down 1 semitone.
- String 5 (G3#): Tune down 1 semitone.
- String 4 (C4#): Tune down 1 semitone.
- String 3 (F4#): Tune down 1 semitone.
- String 2 (A4#): Tune down 1 semitone.
- String 1 (D5#): Tune down 1 semitone.
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Capos for F#F#D#G#C#F#A#D#
| Capo | Tuning | Name |
|---|---|---|
| 0 | F#F#D#G#C#F#A#D# | Double Drop F# (8-String) |
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Tuning Map
- Fret
- S8
- S7
- S6
- S5
- S4
- S3
- S2
- S1
- -13
- F
- A#
- D#
- G#
- C#
- F#
- A#
- D#
- -12
- F#
- B
- E
- A
- D
- G
- B
- E
- -11
- G
- C
- F
- A#
- D#
- G#
- C
- F
- -10
- G#
- C#
- F#
- B
- E
- A
- C#
- F#
- -9
- A
- D
- G
- C
- F
- A#
- D
- G
- -8
- A#
- D#
- G#
- C#
- F#
- B
- D#
- G#
- -7
- B
- E
- A
- D
- G
- C
- E
- A
- -6
- C
- F
- A#
- D#
- G#
- C#
- F
- A#
- -5
- C#
- F#
- B
- E
- A
- D
- F#
- B
- -4
- D
- G
- C
- F
- A#
- D#
- G
- C
- -3
- D#
- G#
- C#
- F#
- B
- E
- G#
- C#
- -2
- E
- A
- D
- G
- C
- F
- A
- D
- -1
- F
- A#
- D#
- G#
- C#
- F#
- A#
- D#
- 0
- F#
- B
- E
- A
- D
- G
- B
- E
- 1
- G
- C
- F
- A#
- D#
- G#
- C
- F
- 2
- G#
- C#
- F#
- B
- E
- A
- C#
- F#
- 3
- A
- D
- G
- C
- F
- A#
- D
- G
- 4
- A#
- D#
- G#
- C#
- F#
- B
- D#
- G#
- 5
- B
- E
- A
- D
- G
- C
- E
- A
- 6
- C
- F
- A#
- D#
- G#
- C#
- F
- A#
- 7
- C#
- F#
- B
- E
- A
- D
- F#
- B
- -12
- -5
- -1
- -1
- -1
- -1
- -1
- -1
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