GBEGAG Guitar Tuner
GBEGAG Alt. Bulletproof Tuning Gbegag - Guitar tuning, chords & scales
This tuning, named "alt. bulletproof tuning gbegag," is a thoughtful modification of a tuning originally used in a band setting for a song titled "if i were bulletproof." The creator notes that the initial version had two strings accidentally strung backward, and this iteration represents the intended configuration. This backstory suggests a tuning crafted with a specific sonic and creative vision in mind, likely geared towards a unique musical texture or mood.
Technically, the open string notes are G2-B2-E3-G3-A3-G4 (from low E to high E string). This arrangement immediately presents itself as a G-centric tuning, with multiple octaves of G (G2, G3, G4) providing a strong root foundation. The intervals create a rich, open sound:
- Root Foundation: The lowest four strings (G2-B2-E3-G3) form a G Major 6th chord, which is a very full and resonant starting point. This provides a lush harmonic bed for any melodic or rhythmic playing.
- Added Color: The A3 on the second string introduces a 9th (or 2nd) over the G root, adding a sophisticated, slightly jazzy, or suspended quality to the open chord.
- Reinforced Root: The highest string, G4, reinforces the root G another octave up, contributing to the tuning's overall strong G major identity.
When strummed open, this tuning produces a vibrant G Major 9th (add6) chord, offering a rich, expansive sound ideal for open strumming, arpeggios, and droning. The presence of these specific intervals makes it particularly suitable for:
- Lush Open Chords: Effortlessly achieve full, harmonically interesting chords with minimal fretting.
- Single-Finger Barre Chords: The consistent G-B-E-G structure on the lower strings allows for easy transposition of this rich chord up and down the neck with a single finger, creating powerful major 6th type chords.
- Droning & Melodic Play: The multiple G octaves lend themselves well to droning techniques, providing a constant harmonic center over which melodies and counter-melodies can be played on the higher strings.
- Unique Voicings: The particular combination of the A3 and G4 on the top two strings (a minor 7th interval) can lead to distinctive melodic phrases and chord voicings that might be challenging to achieve in standard tuning.
Overall, this tuning encourages a creative approach to guitar playing, favoring resonance, open voicings, and a strong tonal center, perfectly suited for crafting distinct musical landscapes as implied by its origin story.
Open Tuning Notes
The open strings for this tuning are:
- String 6 (Low E): G2
- String 5 (A string): B2
- String 4 (D string): E3
- String 3 (G string): G3
- String 2 (B string): A3
- String 1 (High E string): G4
How to Tune
To achieve the 'alt. bulletproof tuning gbegag' from standard EADGBe tuning, follow these specific adjustments for each string:
- String 6 (Low E to G2): Tune up 3 semitones. This brings your E2 string up to G2. Please exercise caution when tuning up 3 or more semitones, as this increases string tension.
- String 5 (A to B2): Tune up 2 semitones. This brings your A2 string up to B2. Please exercise caution when tuning up 2 or more semitones, as this increases string tension.
- String 4 (D to E3): Tune up 2 semitones. This brings your D3 string up to E3. Please exercise caution when tuning up 2 or more semitones, as this increases string tension.
- String 3 (G to G3): Keep as is; no change (0 semitones). Your G3 string remains G3.
- String 2 (B to A3): Tune down 2 semitones. This brings your B3 string down to A3.
- String 1 (High E to G4): Tune up 3 semitones. This brings your E4 string up to G4. Please exercise caution when tuning up 3 or more semitones, as this increases string tension.
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Capos for GBEGAG
| Capo | Tuning | Name |
|---|---|---|
| 0 | GBEGAG | Alt. Bulletproof Tuning Gbegag |
Songs tuned to GBEGAG
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Tuning Map
- Fret
- S6
- S5
- S4
- S3
- S2
- S1
- -13
- D#
- G#
- C#
- F#
- A#
- D#
- -12
- E
- A
- D
- G
- B
- E
- -11
- F
- A#
- D#
- G#
- C
- F
- -10
- F#
- B
- E
- A
- C#
- F#
- -9
- G
- C
- F
- A#
- D
- G
- -8
- G#
- C#
- F#
- B
- D#
- G#
- -7
- A
- D
- G
- C
- E
- A
- -6
- A#
- D#
- G#
- C#
- F
- A#
- -5
- B
- E
- A
- D
- F#
- B
- -4
- C
- F
- A#
- D#
- G
- C
- -3
- C#
- F#
- B
- E
- G#
- C#
- -2
- D
- G
- C
- F
- A
- D
- -1
- D#
- G#
- C#
- F#
- A#
- D#
- 0
- E
- A
- D
- G
- B
- E
- 1
- F
- A#
- D#
- G#
- C
- F
- 2
- F#
- B
- E
- A
- C#
- F#
- 3
- G
- C
- F
- A#
- D
- G
- 4
- G#
- C#
- F#
- B
- D#
- G#
- 5
- A
- D
- G
- C
- E
- A
- 6
- A#
- D#
- G#
- C#
- F
- A#
- 7
- B
- E
- A
- D
- F#
- B
- 3
- 2
- 2
- 0
- -2
- 3
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