Verbal Analysis:

This is a truly unique and deeply resonant tuning for the Lute, aptly described as a "Baritone Lute." It takes the instrument into an exceptionally low register, almost an entire octave below what might be considered standard. This creates a rich, full-bodied sound that lends itself perfectly to powerful, driving rhythms – or as the description aptly puts it, "for the chugs." Expect a sound that is both commanding and sonorous, capable of underpinning heavier musical styles or providing a grand, dark canvas for intricate melodic work. It transforms the Lute from its traditional bright and delicate persona into a formidable low-end instrument.

Technical Analysis:

The open tuning is G1-C2-F2-A2-D3-G3. This tuning maintains the classic interval structure of a standard Lute tuning (perfect fourths, followed by a major third, then perfect fourths), but transposes it down dramatically. Specifically, the intervals are:

• String 6 (G1) to String 5 (C2): Perfect Fourth
• String 5 (C2) to String 4 (F2): Perfect Fourth
• String 4 (F2) to String 3 (A2): Major Third
• String 3 (A2) to String 2 (D3): Perfect Fourth
• String 2 (D3) to String 1 (G3): Perfect Fourth

This specific open tuning forms a powerful G7sus4(add9) chord (G-C-D-F-A). The lowest string, G1, grounds the entire tuning, providing a deep root for the resonating frequencies. The repeating perfect fourths make power chords incredibly easy to execute across adjacent strings, facilitating a robust, driving sound suitable for heavy accompaniment. The presence of the G1 and G3 an octave apart creates a strong, foundational drone. Furthermore, the consistent Lute interval pattern means that traditional Lute chord shapes can still be applied, simply producing a much deeper and more expansive voicing. This allows for familiar melodic and harmonic patterns to be explored with a radically altered sonic character.

Open String Notes:

The open strings for this tuning are as follows:

• 6th String: G1 (Lowest string, thickest)
• 5th String: C2
• 4th String: F2
• 3rd String: A2
• 2nd String: D3
• 1st String: G3 (Highest string, thinnest)

How to Tune:

This tuning involves significant string slackening from a hypothetical standard tuning. Please proceed with caution and consider the implications for string tension and gauge. The recommended movements are:

• 6th String: Tune down 9 semitones to G1.
• 5th String: Tune down 9 semitones to C2.
• 4th String: Tune down 9 semitones to F2.
• 3rd String: Tune down 10 semitones to A2.
• 2nd String: Tune down 9 semitones to D3.
• 1st String: Tune down 9 semitones to G3.

Important String Gauge Advisory: All string movements in this tuning exceed tuning down by 4 semitones. Tuning down 9 or 10 semitones will drastically reduce string tension, likely making standard gauge strings feel too loose and floppy, potentially leading to intonation issues and a muddy tone. For optimal performance, clarity, and playability with such a low tuning, it is highly recommended to use a significantly heavier gauge string set specifically designed for baritone tunings. This will ensure proper tension, sustain, and an overall superior playing experience.