GGGCFAD Guitar Tuner
GGGCFAD Drop G Octave - Guitar tuning, chords & scales
Tuning Analysis: Drop G Octave
This is the "Drop G Octave" tuning, famously utilized in Pantera's track "Sandblasted Skin (Reprise)". It's a formidable 7-string tuning designed for extreme low-end power and aggression, a hallmark of heavy metal music.
Verbal Analysis
At its core, this tuning delivers an incredibly dark, resonant, and aggressive sound. The emphasis on the low G is profound, with G1, G2, and G2 across the lowest three strings creating an unprecedented wall of low-end power. This multi-octave and unison G foundation provides immense depth and a thick, drone-like quality that is perfect for chunky, detuned riffs and thunderous power chords. It intentionally moves away from standard guitar intervals, offering a unique sonic palette that is instantly recognizable for its crushing weight and impact. The name "Drop G Octave" perfectly encapsulates its primary characteristic: a heavy focus on the G note spanning multiple octaves, solidifying its place as a go-to for genres requiring maximum sonic brutality.
Technical Analysis
- Open String Notes: G1, G2, G2, C3, F3, A3, D4 (from lowest to highest string).
- Interval Relationships:
- String 7 (G1) to String 6 (G2): Perfect Octave
- String 6 (G2) to String 5 (G2): Unison
- String 5 (G2) to String 4 (C3): Perfect Fourth
- String 4 (C3) to String 3 (F3): Perfect Fourth
- String 3 (F3) to String 2 (A3): Major Third
- String 2 (A3) to String 1 (D4): Perfect Fourth
- Chordal Implications:
- The lowest three strings (G1, G2, G2) produce an exceptionally thick, multi-octave G power chord or drone, which is ideal for foundational, punishing riffs.
- Combining strings 7, 6, 5, and 4 (G1, G2, G2, C3) yields a massive, low Gsus4 voicing, perfect for powerful, sustained chords without a definitive major/minor third, adding to its heavy sound.
- The consistent perfect fourths across strings 5-4-3 (G-C-F) and 2-1 (A-D) facilitate the creation of aggressive, angular power chord shapes or complex voicings by barring across these strings. For example, a single finger barred across strings 7, 6, 5, 4 at any fret will create a potent Root-Root-Root-Fourth cluster (e.g., fretting all at the 3rd fret would give A-A-A-D).
- The open string notes G-C-F-A-D collectively suggest a G7sus4 sound (G, C, D, F, A), providing a harmonic landscape ripe for the heavy, often dissonant, chord voicings characteristic of metal and hard rock. This tuning prioritizes raw power and unique voicing opportunities over traditional open major/minor chords.
How to Tune
To achieve this "Drop G Octave" tuning, carefully adjust each string according to the following instructions:
- String 7 (Lowest G): Tune down 4 semitones to G1. Caution: Tuning down 4 semitones is a significant change in tension; a different gauge string is advised for optimal tension, intonation, and tone.
- String 6 (Low G): Tune up 3 semitones to G2. Caution: Tuning up 3 semitones is a considerable increase in tension; the user should take care to avoid string breakage and potential neck stress.
- String 5 (Mid G): Tune down 2 semitones to G2.
- String 4 (Low C): Tune down 2 semitones to C3.
- String 3 (F): Tune down 2 semitones to F3.
- String 2 (A): Tune down 2 semitones to A3.
- String 1 (Highest D): Tune down 2 semitones to D4.
Always check your guitar's intonation after making significant tuning adjustments for the best playing experience.
String 7 (Lowest): G1
String 6: G2
String 5: G2
String 4: C3
String 3: F3
String 2: A3
String 1 (Highest): D4
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Capos for GGGCFAD
| Capo | Tuning | Name |
|---|---|---|
| 0 | GGGCFAD | Drop G Octave |
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Tuning Map
- Fret
- S7
- S6
- S5
- S4
- S3
- S2
- S1
- -13
- A#
- D#
- G#
- C#
- F#
- A#
- D#
- -12
- B
- E
- A
- D
- G
- B
- E
- -11
- C
- F
- A#
- D#
- G#
- C
- F
- -10
- C#
- F#
- B
- E
- A
- C#
- F#
- -9
- D
- G
- C
- F
- A#
- D
- G
- -8
- D#
- G#
- C#
- F#
- B
- D#
- G#
- -7
- E
- A
- D
- G
- C
- E
- A
- -6
- F
- A#
- D#
- G#
- C#
- F
- A#
- -5
- F#
- B
- E
- A
- D
- F#
- B
- -4
- G
- C
- F
- A#
- D#
- G
- C
- -3
- G#
- C#
- F#
- B
- E
- G#
- C#
- -2
- A
- D
- G
- C
- F
- A
- D
- -1
- A#
- D#
- G#
- C#
- F#
- A#
- D#
- 0
- B
- E
- A
- D
- G
- B
- E
- 1
- C
- F
- A#
- D#
- G#
- C
- F
- 2
- C#
- F#
- B
- E
- A
- C#
- F#
- 3
- D
- G
- C
- F
- A#
- D
- G
- 4
- D#
- G#
- C#
- F#
- B
- D#
- G#
- 5
- E
- A
- D
- G
- C
- E
- A
- 6
- F
- A#
- D#
- G#
- C#
- F
- A#
- 7
- F#
- B
- E
- A
- D
- F#
- B
- -4
- 3
- -2
- -2
- -2
- -2
- -2
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