G#D#GCCD# Guitar Tuner
G#D#GCCD# | A♭E♭GCCE♭ G#D#GCGCD# - Guitar tuning, chords & scales
Description: C Minor 6th Open Tuning
Verbal Analysis
This intriguing open tuning, which we've named "C Minor 6th Open Tuning," provides a rich and melancholic sonic landscape. Rooted in the C minor tonality with an added minor sixth (Ab), it evokes a sense of depth, introspection, and drama. The tuning naturally resonates with a full C minor 6th chord when strummed open, making it incredibly expressive for pieces requiring a somber or cinematic atmosphere. It's well-suited for fingerstyle arrangements where individual note clarity can shine, as well as for powerful strumming patterns where its inherent chordal qualities can create a lush, full sound. The presence of repeated notes (C and D#) across different octaves adds a natural resonance and harmonic richness, allowing for droning effects and sustained textures. This tuning could be particularly inspiring for genres like folk, progressive rock, metal, or film scoring where a distinctive and moody character is desired.
Technical Analysis
The "C Minor 6th Open Tuning" is structured as G#2 D#3 G2 C3 C4 D#5, from the lowest (6th) to the highest (1st) string. When viewed enharmonically, this is Ab2 Eb3 G2 C3 C4 Eb5.
The open strings collectively form an Ab Major 7th chord (Ab-C-Eb-G) or, as the original description hints, a C minor 6th chord (C-Eb-G-Ab). The presence of the root (C), minor third (Eb/D#), perfect fifth (G), and minor sixth (Ab/G#) of the C minor scale is prominent throughout the tuning.
Key observations:
- Root & Intervals: The lowest string is G# (Ab), providing a strong bass foundation. The tuning contains multiple instances of the C (strings 3 and 2) and D# (strings 5 and 1) notes, reinforcing the minor third and root/fifth relationships.
- Open Chord Voicing: Strumming all strings open yields a rich C minor 6th chord (or Ab Major 7th). This makes songwriting and improvisation within these harmonic frameworks very intuitive, as a full chord is always available.
- Drone Potential: The repeated C notes (C3 and C4) and D# notes (D#3 and D#5) across different octaves are excellent for creating droning effects, adding texture and sustain to compositions.
- Ease of Chord Shapes:
- Barre Chords: Simple one-finger barre chords across certain string sets (e.g., strings 3-2-1) will likely yield interesting minor voicings or extensions. A full barre across all six strings at any fret will immediately produce a transposition of the open C minor 6th/Ab Major 7th chord.
- Power Chords: The lower strings (G#2 D#3 G2) lend themselves well to powerful low-end riffs. Moving these up two frets would give A#2 F3 G#2, maintaining strong low-end intervals.
- Inversions: The spread of notes allows for easy exploration of chord inversions by simply muting strings or adding single fingers. For example, by fretting the 6th string at the 3rd fret (C), you can create a C minor 6th chord with C as the root, easily accessible.
- Harmonic Exploration: The unique intervals encourage experimentation beyond standard major/minor shapes, potentially leading to distinctive voicings and melodic ideas.
Tuning Notes & How to Tune
The individual string tunings for this "C Minor 6th Open Tuning" are as follows:
- 6th String (Low E Equivalent): Tuned to G#2
- 5th String (A Equivalent): Tuned to D#3
- 4th String (D Equivalent): Tuned to G2
- 3rd String (G Equivalent): Tuned to C3
- 2nd String (B Equivalent): Tuned to C4
- 1st String (High E Equivalent): Tuned to D#5
How to Tune Your Guitar
To achieve the "C Minor 6th Open Tuning", please follow these instructions carefully. The string movements are described relative to an unspecified starting point, as provided by the tuning data, to reach the target note.
- 6th String: Tune down 3 semitones to G#2.
- 5th String: Tune down 1 semitone to D#3.
- 4th String: Tune down 2 semitones to G2.
- 3rd String: Tune down 2 semitones to C3.
- 2nd String: Tune up 1 semitone to C4.
- 1st String: Tune down 1 semitone to D#5.
Note: All string movements are within the range where a change in string gauge is generally not required.
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Capos for G#D#GCCD#
Capo | Tuning | Name |
---|---|---|
0 | G#D#GCCD# | G#D#GCGCD# |
More G#D#GCCD# Resources
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Tuning Map
- Fret
- S7
- S6
- S5
- S4
- S2
- S1
- -13
- A#
- D#
- G#
- C#
- A#
- D#
- -12
- B
- E
- A
- D
- B
- E
- -11
- C
- F
- A#
- D#
- C
- F
- -10
- C#
- F#
- B
- E
- C#
- F#
- -9
- D
- G
- C
- F
- D
- G
- -8
- D#
- G#
- C#
- F#
- D#
- G#
- -7
- E
- A
- D
- G
- E
- A
- -6
- F
- A#
- D#
- G#
- F
- A#
- -5
- F#
- B
- E
- A
- F#
- B
- -4
- G
- C
- F
- A#
- G
- C
- -3
- G#
- C#
- F#
- B
- G#
- C#
- -2
- A
- D
- G
- C
- A
- D
- -1
- A#
- D#
- G#
- C#
- A#
- D#
- 0
- B
- E
- A
- D
- B
- E
- 1
- C
- F
- A#
- D#
- C
- F
- 2
- C#
- F#
- B
- E
- C#
- F#
- 3
- D
- G
- C
- F
- D
- G
- 4
- D#
- G#
- C#
- F#
- D#
- G#
- 5
- E
- A
- D
- G
- E
- A
- 6
- F
- A#
- D#
- G#
- F
- A#
- 7
- F#
- B
- E
- A
- F#
- B
- -3
- -1
- -2
- -2
- 1
- -1