Verbal Analysis

This is a deeply resonant and extremely heavy tuning, designed for powerful, low-end riffs. It takes the concept of "Drop B" and pushes the lowest string even further down to G#, creating an immense sonic foundation. The irregular intervals between strings suggest it's crafted for specific riff patterns and single-note lines rather than conventional open chord strumming. It's perfectly suited for genres like metalcore, deathcore, and djent, where extreme low tunings and a unique harmonic palette are prized. The name itself, referencing a popular metalcore track, hints at its aggressive and dark musical application.

Technical Analysis

This tuning features the following open notes, from the thickest (6th) to the thinnest (1st) string: G#2, F#3, B2, E3, G#4, C#5.

• The lowest G#2 is exceptionally deep, providing a massive, rumbling foundation. This low register is ideal for heavy palm-muted riffs and crushing breakdowns.
• Irregular Intervals: Unlike more common tunings, the intervals between adjacent strings are quite varied, making it unconventional for traditional chord shapes:
  • 6th to 5th string (G#2 to F#3): A major 7th up (+11 semitones).
  • 5th to 4th string (F#3 to B2): A perfect 5th down (-7 semitones).
  • 4th to 3rd string (B2 to E3): A perfect 4th up (+5 semitones).
  • 3rd to 2nd string (E3 to G#4): An octave and a major 3rd up (+16 semitones). This is a very significant jump in pitch between strings, demanding careful string selection and playing technique.
  • 2nd to 1st string (G#4 to C#5): A perfect 4th up (+5 semitones).
• Open Chords & Voicings: Due to the wide and irregular string intervals, traditional open chords are not readily available in standard shapes. However, the presence of G#, B, E, and C# across the tuning (G#2, B2, E3, G#4, C#5) hints at a G# minor tonality. This could allow for rich, open minor 7th voicings (G#-B-D#-F#) or suspended chords (G#-C#-D#) by strategically fretting. The extreme low G# on the 6th string makes it an ideal anchor for single-note heavy riffs and power chords formed by fretting strings in specific patterns. The significant drop for the lowest string, as well as the octave drops for strings 3 and 4 (relative to a typical Drop B), indicate a tuning designed for a very specific sound and playing style that prioritizes depth and unique harmonic textures.

Tuning Notes

• 6th String: G#2
• 5th String: F#3
• 4th String: B2
• 3rd String: E3
• 2nd String: G#4
• 1st String: C#5

How to Tune

• 6th String: Tune down 8 semitones to G#2. Caution: This is a significant drop. A heavier gauge string is strongly advised to maintain proper string tension, intonation, and playability, and to prevent potential damage to your guitar.
• 5th String: Tune down 3 semitones to F#3.
• 4th String: Tune down 3 semitones to B2.
• 3rd String: Tune down 3 semitones to E3.
• 2nd String: Tune down 3 semitones to G#4.
• 1st String: Tune down 3 semitones to C#5.