ADADAD Bass Electric Tuner
ADADAD Bey Tuning - Bass Electric tuning, chords & scales
The 'Bey Tuning' transforms your 6-string electric bass into a powerful instrument with a deep, resonant voice. This custom tuning focuses on a consistent A-D-A-D-A-D pattern across all strings, spanning multiple octaves. It's designed to provide a massive low end and facilitate unique harmonic and melodic approaches, making it ideal for rhythmic grooves, drone-based music, or heavy, percussive styles.
Technical Analysis
- Instrument: 6-String Electric Bass.
- Open Notes: The tuning presents as A1-D2-A2-D3-A3-D4 (from lowest to highest string).
- Interval Pattern: This tuning is characterized by a repeating pattern of Perfect 4ths and Perfect 5ths. Starting from the lowest A string (A1), the intervals between adjacent strings are:
- String 6 (A1) to String 5 (D2): Perfect 4th (up 5 semitones)
- String 5 (D2) to String 4 (A2): Perfect 5th (up 7 semitones)
- String 4 (A2) to String 3 (D3): Perfect 4th (up 5 semitones)
- String 3 (D3) to String 2 (A3): Perfect 5th (up 7 semitones)
- String 2 (A3) to String 1 (D4): Perfect 4th (up 5 semitones)
- Overall Structure: This A-D-A-D-A-D structure creates an incredibly resonant and consistent tonal landscape, emphasizing the fundamental and its 4th and 5th.
Open Chords & Playability
- Open Chord: When all open strings are played together, the tuning produces a rich A (add4) or Dsus2/A sound, creating a powerful, droning quality with a strong emphasis on the A root. It's full and sonorous, lending itself well to atmospheric intros or sustained low-end foundations.
- Power Chords & Riffs: The repetitive A-D pattern makes playing power chords extremely intuitive. A single finger barre across multiple strings at any fret will instantly yield robust root-fifth or root-fourth-root shapes, perfect for driving bass lines and heavy riffs. For example, fretting all strings at the 5th fret creates a Dsus4 chord shape (D-G-D-G-D-G).
- Melodic Potential: While not designed for conventional major/minor chords, this tuning excels in modal playing and arpeggios, allowing for smooth movement between the resonant A and D notes across the neck. It's particularly well-suited for music in the keys of A or D, or exploring modes that feature these strong intervals.
- Suitability: The Bey Tuning offers a unique sonic palette for bassists looking to carve out a distinct sound, particularly in genres that benefit from deep drones, percussive attack, and a consistent, heavy harmonic foundation.
How to Tune
Achieving the Bey Tuning involves significant down-tuning for most strings. Please exercise caution and consider a heavier gauge string set for the lowest strings to maintain optimal tension and tone.
- String 6 (Lowest A): Tune down 7 semitones to A1. (Note: Tuning down 7 semitones is a significant change; a heavier gauge string is strongly advised for stability and playability.)
- String 5 (Low D): Tune down 7 semitones to D2. (Note: Tuning down 7 semitones is a significant change; a heavier gauge string is strongly advised for stability and playability.)
- String 4 (Mid A): Tune down 5 semitones to A2. (Note: Tuning down 5 semitones is a significant change; a heavier gauge string is strongly advised for stability and playability.)
- String 3 (Mid D): Tune down 5 semitones to D3. (Note: Tuning down 5 semitones is a significant change; a heavier gauge string is strongly advised for stability and playability.)
- String 2 (High A): Tune down 2 semitones to A3.
- String 1 (Highest D): Tune down 2 semitones to D4.
- String 6: A1 (Lowest string)
- String 5: D2
- String 4: A2
- String 3: D3
- String 2: A3
- String 1: D4 (Highest string)
Comments - have your say on ADADAD
Capos for ADADAD
Capo | Tuning | Name |
---|---|---|
-2 | GCGCGC | Gcgcgc |
0 | ADADAD | Bey Tuning |
1 | A#D#A#D#A#D# | BEBEBE Down A Half-Step |
2 | BEBEBE | Nick Drake |
3 | CFCFCF | F5 (Fifth) |
4 | C#F#C#F#C#F# | Nick Drake 2nd Capo |
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Tuning Map
- Fret
- S6
- S5
- S4
- S3
- S2
- S1
- -13
- D#
- G#
- C#
- F#
- A#
- D#
- -12
- E
- A
- D
- G
- B
- E
- -11
- F
- A#
- D#
- G#
- C
- F
- -10
- F#
- B
- E
- A
- C#
- F#
- -9
- G
- C
- F
- A#
- D
- G
- -8
- G#
- C#
- F#
- B
- D#
- G#
- -7
- A
- D
- G
- C
- E
- A
- -6
- A#
- D#
- G#
- C#
- F
- A#
- -5
- B
- E
- A
- D
- F#
- B
- -4
- C
- F
- A#
- D#
- G
- C
- -3
- C#
- F#
- B
- E
- G#
- C#
- -2
- D
- G
- C
- F
- A
- D
- -1
- D#
- G#
- C#
- F#
- A#
- D#
- 0
- E
- A
- D
- G
- B
- E
- 1
- F
- A#
- D#
- G#
- C
- F
- 2
- F#
- B
- E
- A
- C#
- F#
- 3
- G
- C
- F
- A#
- D
- G
- 4
- G#
- C#
- F#
- B
- D#
- G#
- 5
- A
- D
- G
- C
- E
- A
- 6
- A#
- D#
- G#
- C#
- F
- A#
- 7
- B
- E
- A
- D
- F#
- B
- -7
- -7
- -5
- -5
- -2
- -2