GCGCGC Banjo Tuner
GCGCGC Gcgcgc - Banjo tuning, chords & scales
Tuning Analysis: Open C Banjo Drone
This unique tuning, originally born from the practical need of a six-string banjo and now fully embraced for its sonic potential, is a fascinating journey into deep, resonant soundscapes. The tuner's description, "Six string banjo 'asked' for it, due to technical issues, now I'm embracing the sound," perfectly captures the organic evolution of this rich configuration.
Verbal Analysis
The Open C Banjo Drone tuning creates an incredibly full and resonant sound, perfect for drone-based music, ambient soundscapes, or experimental folk. Its deep register, especially for a banjo, offers a surprising amount of gravitas and warmth. The repeated C and G notes across multiple octaves create a natural, ringing sustain that can evoke a meditative, expansive, or even melancholic mood. It's a tuning that encourages open strumming and allows melodies to float above a rich harmonic foundation, making it feel very open and inviting for creative exploration.
Technical Analysis
The tuning notes are G1 C2 G2 C3 G3 C4. This arrangement immediately establishes a clear C Major chord (specifically, a C5 power chord feel with added octaves) in its open position. Analyzing the intervallic structure relative to C:
- String 6 (G1): Perfect 5th below C2 (or 5th of C)
- String 5 (C2): Root
- String 4 (G2): Perfect 5th
- String 3 (C3): Octave Root
- String 2 (G3): Octave Perfect 5th
- String 1 (C4): Double Octave Root
Open Chords and Accessible Shapes:
- Open Chord: Strumming all open strings yields a beautiful, resonant C Major chord.
- Barre Chords: Due to the consistent pattern of Root-Fifth-Root-Fifth, simply barring across any single fret will produce a perfect Major chord. For example, barring at the 2nd fret creates a D Major chord (D-A-D-A-D-A), and at the 5th fret, an F Major chord (F-C-F-C-F-C). This makes changing keys incredibly fluid and intuitive.
- Power Chords: By barring a fret and perhaps fretting an additional note, power chords (Root-Fifth-Octave) are incredibly easy to form, delivering immense sonic impact.
- Drone Textures: The inherent drone quality means that even simple melodic lines or two-finger chord shapes will sound full and rich against the sustained open strings.
How to Tune
This tuning involves significant string tension changes, as most strings are tuned down considerably. Exercise caution and consider a different string gauge if these movements are far from your standard setup.
- String 6 (Lowest): Tune down 9 semitones from its standard E to G1. This is a substantial drop.
- String 5: Tune down 9 semitones from its standard A to C2. This is also a very large drop.
- String 4: Tune down 7 semitones from its standard D to G2.
- String 3: Tune down 7 semitones from its standard G to C3.
- String 2: Tune down 4 semitones from its standard B to G3.
- String 1 (Highest): Tune down 4 semitones from its standard E to C4.
Important Note on String Gauge: Several strings in this tuning require a downward adjustment of 4 semitones or more (9, 7, and 4 semitones). When tuning down beyond 4 semitones, it is highly recommended to use a heavier gauge string to maintain optimal tension, intonation, and prevent floppiness. Tuning down such a significant amount with standard gauges can lead to very loose strings and potential intonation issues.
Here are the notes for each string in the Open C Banjo Drone tuning:
- String 6 (Lowest): G1
- String 5: C2
- String 4: G2
- String 3: C3
- String 2: G3
- String 1 (Highest): C4
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Capos for GCGCGC
| Capo | Tuning | Name |
|---|---|---|
| 0 | GCGCGC | Gcgcgc |
| 2 | ADADAD | Bey Tuning |
| 3 | A#D#A#D#A#D# | BEBEBE Down A Half-Step |
| 4 | BEBEBE | Nick Drake |
| 5 | CFCFCF | F5 (Fifth) |
| 6 | C#F#C#F#C#F# | Nick Drake 2nd Capo |
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Tuning Map
- Fret
- S6
- S5
- S4
- S3
- S2
- S1
- -13
- D#
- G#
- C#
- F#
- A#
- D#
- -12
- E
- A
- D
- G
- B
- E
- -11
- F
- A#
- D#
- G#
- C
- F
- -10
- F#
- B
- E
- A
- C#
- F#
- -9
- G
- C
- F
- A#
- D
- G
- -8
- G#
- C#
- F#
- B
- D#
- G#
- -7
- A
- D
- G
- C
- E
- A
- -6
- A#
- D#
- G#
- C#
- F
- A#
- -5
- B
- E
- A
- D
- F#
- B
- -4
- C
- F
- A#
- D#
- G
- C
- -3
- C#
- F#
- B
- E
- G#
- C#
- -2
- D
- G
- C
- F
- A
- D
- -1
- D#
- G#
- C#
- F#
- A#
- D#
- 0
- E
- A
- D
- G
- B
- E
- 1
- F
- A#
- D#
- G#
- C
- F
- 2
- F#
- B
- E
- A
- C#
- F#
- 3
- G
- C
- F
- A#
- D
- G
- 4
- G#
- C#
- F#
- B
- D#
- G#
- 5
- A
- D
- G
- C
- E
- A
- 6
- A#
- D#
- G#
- C#
- F
- A#
- 7
- B
- E
- A
- D
- F#
- B
- -9
- -9
- -7
- -7
- -4
- -4
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