ADADGB Guitar Tuner
ADADGB Drop A Variation - Guitar tuning, chords & scales
Verbal Analysis
This unique tuning, known as Drop A Variation, is famously utilized by the UK band Loathe. It plunges the guitar into a profoundly low register, creating a sonic landscape that is both heavy and atmospheric. The tuning's depth allows for crushing, impactful riffs, while its specific intervals lend themselves to expansive, often ambiguous, open voicings. It's a tuning built for dense soundscapes, chugging rhythms, and expressive, non-standard chord work, characteristic of modern progressive metal and ambient genres.
Technical Analysis
The open notes for this 6-string guitar tuning are:
- A1 (Low E string)
- D2 (A string)
- A2 (D string)
- D3 (G string)
- G3 (B string)
- B3 (High E string)
The lowest three strings (A1, D2, A2) establish a potent foundation for heavy riffing. The presence of the root (A) and fourth (D) on the lowest strings allows for easily accessible, thick power chords by barring a single fret; for example, fretting all three at the 5th fret produces a D-G-D voicing. The tuning also features a prominent perfect fifth (A2) in the middle, creating a rich harmonic density.
When strummed open, the full tuning (A-D-A-D-G-B) presents a complex chord. Considering A as the root, the notes A, D, G, B suggest an Am9sus4 (A, B, D, G - omitting the 5th and 3rd). Alternatively, viewing D as the root, it could be seen as a Dmaj6/9sus4 (D, G, B, A). This inherent ambiguity means the open strings are not a simple major or minor triad, offering a versatile palette for intricate harmony or dissonance depending on context.
The intervals between the higher strings (D3, G3, B3) form a G major triad (G-B-D), offering a brighter contrast to the darker, lower strings. This combination provides both low-end weight and higher-register melodic and harmonic possibilities.
How to Tune
To achieve the Drop A Variation tuning from standard E, follow these steps:
- String 6 (Low E): Tune down 7 semitones from E2 to A1. (Note: This is a significant drop. Consider using a heavier gauge string for optimal tension and tone.)
- String 5 (A): Tune down 7 semitones from A2 to D2. (Note: This is a significant drop. Consider using a heavier gauge string for optimal tension and tone.)
- String 4 (D): Tune down 5 semitones from D3 to A2. (Note: This is a substantial drop. Consider using a heavier gauge string for optimal tension and tone.)
- String 3 (G): Tune down 5 semitones from G3 to D3. (Note: This is a substantial drop. Consider using a heavier gauge string for optimal tension and tone.)
- String 2 (B): Tune down 4 semitones from B3 to G3. (Note: Tuning down 4 or more semitones can lead to loose string tension. A heavier gauge string is advised for better playability and intonation.)
- String 1 (High E): Tune down 5 semitones from E4 to B3. (Note: This is a substantial drop. Consider using a heavier gauge string for optimal tension and tone.)
Due to the extreme nature of these downward tunings, especially on the lower strings, using a set of strings specifically designed for drop or baritone tunings is highly recommended to maintain proper string tension, intonation, and playability.
String 6 (Low E String): Tuned to A1.
String 5 (A String): Tuned to D2.
String 4 (D String): Tuned to A2.
String 3 (G String): Tuned to D3.
String 2 (B String): Tuned to G3.
String 1 (High E String): Tuned to B3.
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Capos for ADADGB
| Capo | Tuning | Name |
|---|---|---|
| -6 | D#G#D#G#C#F | Drop G# Variation |
| -5 | EAEADF# | Loathe Tuning |
| -3 | F#BF#BEG# | Drop F# Variation |
| -1 | G#C#G#C#F#A# | Drop Ab Variation |
| 0 | ADADGB | Drop A Variation |
| 1 | A#D#A#D#G#C | A#D#A#D#G#C |
| 3 | CFCFA#D | Charlie Hunter |
| 4 | C#F#C#F#BD# | Open Bmadd9 |
| 5 | DGDGCE | DGDGCE |
| 7 | EAEADF# | Loathe Tuning 1 Octave Up |
More ADADGB Resources
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Songs tuned to ADADGB
| Artist | Song | Album | Tab |
|---|---|---|---|
| Loathe | Screaming | I Let It in and It Took Everything |
Please use the below form to submit a song for ADADGB that is not already on gtdb.org.
Tuning Map
- Fret
- S6
- S5
- S4
- S3
- S2
- S1
- -13
- D#
- G#
- C#
- F#
- A#
- D#
- -12
- E
- A
- D
- G
- B
- E
- -11
- F
- A#
- D#
- G#
- C
- F
- -10
- F#
- B
- E
- A
- C#
- F#
- -9
- G
- C
- F
- A#
- D
- G
- -8
- G#
- C#
- F#
- B
- D#
- G#
- -7
- A
- D
- G
- C
- E
- A
- -6
- A#
- D#
- G#
- C#
- F
- A#
- -5
- B
- E
- A
- D
- F#
- B
- -4
- C
- F
- A#
- D#
- G
- C
- -3
- C#
- F#
- B
- E
- G#
- C#
- -2
- D
- G
- C
- F
- A
- D
- -1
- D#
- G#
- C#
- F#
- A#
- D#
- 0
- E
- A
- D
- G
- B
- E
- 1
- F
- A#
- D#
- G#
- C
- F
- 2
- F#
- B
- E
- A
- C#
- F#
- 3
- G
- C
- F
- A#
- D
- G
- 4
- G#
- C#
- F#
- B
- D#
- G#
- 5
- A
- D
- G
- C
- E
- A
- 6
- A#
- D#
- G#
- C#
- F
- A#
- 7
- B
- E
- A
- D
- F#
- B
- -7
- -7
- -5
- -5
- -4
- -5
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