This is a unique and extremely low tuning designed for a Guitar, particularly well-suited for a baritone instrument, as indicated by the creator's intent. Named "Drop F# Variation", it's described as an adaptation of a "Loathe tuning up a whole step," promising a very heavy and distinct sonic landscape for future projects.

Technical Analysis:

The open notes for this tuning, from the 6th string to the 1st string, are: F#2 - B1 - F#3 - B2 - E3 - G#4. This is a highly unconventional and non-linear tuning with several striking features:

• The 5th string (B1) is tuned lower than the 6th string (F#2), creating an inverted interval of a perfect fourth (B1 is a perfect fourth below F#2). This requires significant adjustment in playing approach compared to standard tunings.
• The overall range is exceptionally wide, spanning from B1 (extremely low) to G#4 (a relatively high note for the first string in such a low tuning context).
• Intervals between adjacent physical strings are highly irregular:
  • 6th String (F#2) to 5th String (B1): Perfect 4th Down
  • 5th String (B1) to 4th String (F#3): Octave + Perfect 5th Up
  • 4th String (F#3) to 3rd String (B2): Perfect 5th Down
  • 3rd String (B2) to 2nd String (E3): Perfect 4th Up
  • 2nd String (E3) to 1st String (G#4): Octave + Major 3rd Up
  This prevents the use of standard chord shapes and encourages unique voicings.
• The prevalence of B and F# (B1, F#2, F#3) across the lower strings (5, 6, 4) establishes a strong root and fifth, suggesting a foundation for powerful, resonant open B power chords, even if not on immediately adjacent strings.
• The top three strings (B2, E3, G#4) contain notes that can form an E major triad (E-G#-B) in second inversion, adding a brighter, almost hopeful, or contrasting element to the deep, heavy lower register.

Verbal Analysis & Playability:

This tuning is designed for immense depth and atmosphere, perfect for genres like progressive metal, djent, or ambient heavy music. The extremely low B1 provides a foundational rumble, while the wide and inverted intervals between strings create a complex, often dissonant, and richly textured soundscape. Standard chord voicings will be challenging or impossible, pushing the player to explore new shapes, open-string drones, and multi-string tapping or picking techniques.

Accessible Chords & Shapes:

• B Power Chord: By muting the 3rd string, an immense B power chord can be achieved across strings 5 (B1), 6 (F#2), and 4 (F#3), offering a powerful, resonant low-end.
• E Major Triad: The notes B2, E3, and G#4 on strings 3, 2, and 1 respectively form an E major chord in second inversion (B-E-G#). This offers a surprisingly bright and clear contrast to the lower, heavier notes.
• Drones & Open String Harmonies: The rich cluster of B, E, F#, G# across the open strings allows for complex, sustained drones and atmospheric textures. Experimentation with partial chords and single-note melodies against the open strings will yield unique results.

This tuning explicitly mentions its suitability for a baritone guitar, which is highly recommended due to the extremely low pitches and significant down-tuning across all strings.

How to Tune Your Guitar:

Important Note: Due to the extreme string tension changes required for this tuning, particularly the movements greater than 4 semitones (up or down), it is strongly recommended to use a baritone guitar and/or a heavier gauge string set specifically designed for very low tunings. Attempting this tuning on a standard guitar with standard strings may cause damage to your instrument or lead to poor intonation and playability.

• 6th String (Low E Equivalent): Tune to F#2. Tune down 10 semitones. Requires significant down-tuning, consider string gauge.
• 5th String (A Equivalent): Tune to B1. Tune down 10 semitones. Requires significant down-tuning, consider string gauge.
• 4th String (D Equivalent): Tune to F#3. Tune down 8 semitones. Requires significant down-tuning, consider string gauge.
• 3rd String (G Equivalent): Tune to B2. Tune down 8 semitones. Requires significant down-tuning, consider string gauge.
• 2nd String (B Equivalent): Tune to E3. Tune down 7 semitones. Requires significant down-tuning, consider string gauge.
• 1st String (High E Equivalent): Tune to G#4. Tune down 8 semitones. Requires significant down-tuning, consider string gauge.