ADGC Bass Electric Tuner
ADGC Tenor Bass Guitar - Bass Electric tuning, chords & scales
Description of Tenor Bass Guitar Tuning
The Tenor Bass Guitar tuning, specified as A-D-G-C, is a higher-pitched variant often utilized by acclaimed bassists such as Stanley Clarke. This tuning transforms the electric bass into an instrument capable of both solid bass foundations and more melodic, soloistic, or chordal playing, characteristic of a tenor range.
Technical Analysis
- Instrument Type: Bass Electric
- Open String Notes: A1 (lowest), D2, G2, C3 (highest).
- Interval Structure: This tuning maintains a consistent perfect fourth interval between all adjacent strings (A to D, D to G, G to C). This predictable layout is a significant advantage for bassists, making scales, arpeggios, and chord shapes highly transferable across the fretboard.
- Pitch and Range: Compared to standard E-A-D-G bass tuning, this Tenor Bass tuning is pitched a perfect fourth higher on each string. This elevated register allows the instrument to occupy a more prominent sonic space, enabling it to fulfill roles traditionally associated with guitars, such as lead lines and complex, higher-voiced chordal arrangements.
- Chordal Possibilities: While the open strings A-D-G-C themselves don't form a simple common triad, the consistent perfect fourth intervals simplify the construction of various chords across the fretboard. For example, a common minor triad shape can be easily shifted across different string sets, facilitating rich voicings and harmonic exploration. The notes A, D, G, C contain elements that can contribute to chords like A minor 7 (A, C, G) or D minor 7 (D, A, C), especially when complemented by fretted notes.
Verbal Analysis & Applications
This A-D-G-C tuning is a versatile choice for bassists looking to expand their melodic and harmonic capabilities. Its consistent perfect fourths provide a familiar and logical fretboard, allowing for easy adaptation for players already comfortable with standard bass tunings. The higher pitch opens up the instrument for more expressive solos and intricate chordal passages, as famously demonstrated by musicians like Stanley Clarke. This tuning is excellent for jazz, fusion, and other genres where the bass steps out of a purely rhythmic role.
How to Tune
To achieve the Tenor Bass Guitar tuning of A-D-G-C, please follow these precise instructions for each string. The 'fret_movements' data indicates that each string is tuned down by 2 semitones from a slightly higher reference pitch to reach its target note.
- 4th String (lowest, target A1): Tune down 2 semitones from B1 to reach A1.
- 3rd String (target D2): Tune down 2 semitones from E2 to reach D2.
- 2nd String (target G2): Tune down 2 semitones from A2 to reach G2.
- 1st String (highest, target C3): Tune down 2 semitones from D3 to reach C3.
Note: All specified string adjustments involve tuning down by 2 semitones. This is a minor second interval and is well within safe limits for standard bass guitar strings. A change in string gauge is generally not required for these movements.
4th String (lowest): A1
3rd String: D2
2nd String: G2
1st String (highest): C3
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Tuning Map
- Fret
- S7
- S6
- S5
- S4
- -13
- A#
- D#
- G#
- C#
- -12
- B
- E
- A
- D
- -11
- C
- F
- A#
- D#
- -10
- C#
- F#
- B
- E
- -9
- D
- G
- C
- F
- -8
- D#
- G#
- C#
- F#
- -7
- E
- A
- D
- G
- -6
- F
- A#
- D#
- G#
- -5
- F#
- B
- E
- A
- -4
- G
- C
- F
- A#
- -3
- G#
- C#
- F#
- B
- -2
- A
- D
- G
- C
- -1
- A#
- D#
- G#
- C#
- 0
- B
- E
- A
- D
- 1
- C
- F
- A#
- D#
- 2
- C#
- F#
- B
- E
- 3
- D
- G
- C
- F
- 4
- D#
- G#
- C#
- F#
- 5
- E
- A
- D
- G
- 6
- F
- A#
- D#
- G#
- 7
- F#
- B
- E
- A
- -2
- -2
- -2
- -2