BF#BC#F#B Guitar Tuner
BF#BC#F#B | BG♭BD♭G♭B Bsus2 - Guitar tuning, chords & scales
The Bsus2 tuning offers a rich, resonant soundscape, centered around the B root note. It creates an open Bsus2 chord across all six strings, providing a powerful and ethereal foundation for your playing. This tuning is excellent for creating drone-like textures, expansive arpeggios, and heavy, open-string riffs.
Technical Analysis:
- Open Notes: B1, F3#, B2, C4#, F4#, B3 (from low E to high E string).
- Chord Structure: The open strings form a Bsus2 chord, specifically B (root), F# (perfect fifth), and C# (suspended second/major ninth). The repeated B and F# notes across multiple octaves create a full, harmonically dense sound.
- Root & Fifth Dominance: The prevalence of B and F# notes (the root and fifth) provides a strong, stable sonic platform for songwriting.
- Suspended Second: The C# on the 3rd string adds a distinctive suspended second quality, giving the tuning its unique flavor and preventing it from being a simple B major or minor tuning.
Verbal Description & Playability:
Imagine a vast, open sound that fills the room. This tuning resonates deeply, with the low B strings providing an almost bass-like foundation. It encourages a less fretting-intensive approach, allowing the natural harmonics and sustain of the open strings to shine. It's particularly well-suited for ambient music, powerful rock anthems, or folk styles where a full, droning sound is desired. The open character makes it highly expressive.
Open Chords & Possibilities:
- Open Bsus2: Strumming all open strings immediately gives you a grand Bsus2 chord (B-F#-B-C#-F#-B). This is your home base, ready for immediate musical exploration.
- Power Chords: The lowest three strings (B-F#-B) form a robust B5 power chord. By simply barring across any fret from the 4th string onwards, you can easily create movable B5 or Bsus2 shapes up and down the neck, giving you immense versatility.
- Exploring Major/Minor: Introducing a D# (e.g., fretting the 3rd string at the 1st fret from C#) could quickly convert the sound towards a B Major, while a D natural would lean towards B Minor, opening up more harmonic possibilities.
- Drone & Arpeggios: The repetitive notes across different octaves make it ideal for drone-based compositions or open-string arpeggios that shimmer with natural resonance and sustain.
How to Tune:
To achieve the Bsus2 tuning from standard EADGBe (E2-A2-D3-G3-B3-E4), follow these specific instructions for each string:
- String 6 (Low E string): Tune down 5 semitones from E2 to B1. (Note: Tuning down 5 semitones is a significant drop. For optimal tension and tone, consider using a heavier gauge string for this string.)
- String 5 (A string): Tune down 3 semitones from A2 to F#2.
- String 4 (D string): Tune down 3 semitones from D3 to B2.
- String 3 (G string): Tune down 6 semitones from G3 to C#3. (Note: Tuning down 6 semitones is a significant drop. For optimal tension and tone, consider using a heavier gauge string for this string.)
- String 2 (B string): Tune down 5 semitones from B3 to F#3. (Note: Tuning down 5 semitones is a significant drop. For optimal tension and tone, consider using a heavier gauge string for this string.)
- String 1 (High E string): Tune down 5 semitones from E4 to B3. (Note: Tuning down 5 semitones is a significant drop. For optimal tension and tone, consider using a heavier gauge string for this string.)
String 6 (Low E): B1
String 5 (A): F3#
String 4 (D): B2
String 3 (G): C4#
String 2 (B): F4#
String 1 (High E): B3
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Capos for BF#BC#F#B
Capo | Tuning | Name |
---|---|---|
0 | BF#BC#F#B | Bsus2 |
1 | CGCDGC | CGCDGC - Third And Seneca |
2 | C#G#C#D#G#C# | Graeme Havens |
3 | DADEAD | Pelican |
4 | D#A#D#FA#D# | D#A#D#FA#D# Open Dsus2 Tuning |
5 | EBEF#BE | Esus2 |
6 | FCFGCF | FCFGCF |
More BF#BC#F#B Resources
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Tuning Map
- Fret
- S6
- S5
- S4
- S3
- S2
- S1
- -13
- D#
- G#
- C#
- F#
- A#
- D#
- -12
- E
- A
- D
- G
- B
- E
- -11
- F
- A#
- D#
- G#
- C
- F
- -10
- F#
- B
- E
- A
- C#
- F#
- -9
- G
- C
- F
- A#
- D
- G
- -8
- G#
- C#
- F#
- B
- D#
- G#
- -7
- A
- D
- G
- C
- E
- A
- -6
- A#
- D#
- G#
- C#
- F
- A#
- -5
- B
- E
- A
- D
- F#
- B
- -4
- C
- F
- A#
- D#
- G
- C
- -3
- C#
- F#
- B
- E
- G#
- C#
- -2
- D
- G
- C
- F
- A
- D
- -1
- D#
- G#
- C#
- F#
- A#
- D#
- 0
- E
- A
- D
- G
- B
- E
- 1
- F
- A#
- D#
- G#
- C
- F
- 2
- F#
- B
- E
- A
- C#
- F#
- 3
- G
- C
- F
- A#
- D
- G
- 4
- G#
- C#
- F#
- B
- D#
- G#
- 5
- A
- D
- G
- C
- E
- A
- 6
- A#
- D#
- G#
- C#
- F
- A#
- 7
- B
- E
- A
- D
- F#
- B
- -5
- -3
- -3
- -6
- -5
- -5