BF#BD#F#B Guitar Tuner
BF#BD#F#B | BG♭BE♭G♭B Open B Low - Guitar tuning, chords & scales
The Open B Low Tuning is a deep and resonant guitar tuning, essentially an Open D tuning transposed down a whole step and a half. This creates a powerful, heavy sound, often favored in blues, slide guitar, and various genres of rock and metal for its rich, low-end character. The open strings resolve to a full B Major chord, making it incredibly versatile for rhythm playing and for creating expansive, drone-like soundscapes.
Technical Analysis:
This tuning for a 6-string Guitar sets the open notes to B1-F3#-B2-D4#-F4#-B3. These notes constitute an Open B Major chord (B - D# - F#), with the B and F# notes repeated across the octaves. The root note is B, providing a strong, fundamental bass. The arrangement of B, F#, B, D#, F#, B across the strings ensures that simply barring any fret will produce a major chord, making it very intuitive for chord progressions. The parallel octaves and fifths make for a full, harmonically rich open sound.
Chords and Playability:
With the Open B Low tuning, a single finger barre across all six strings will yield a major chord corresponding to the fret. For example, a barre at the 5th fret will produce an Open E Major chord. This simplifies rhythm playing significantly. Additionally, the structure allows for easy access to power chords and various voicings by manipulating just a few fingers. Slide guitarists will find this tuning particularly inspiring, as the open major chord allows for smooth, expressive glides up and down the neck, creating a distinct, soulful tone.
String Gauge Considerations:
Given that most strings are tuned down significantly from standard EADGBe, a heavier gauge string set is highly recommended. Specifically, strings 6, 3, 2, and 1 are tuned down 4 or 5 semitones, which will result in substantial slackness and potential intonation issues with standard gauge strings. A heavier gauge will help maintain proper string tension, intonation, and tone, preventing the strings from feeling too 'floppy' and ensuring a robust sound.
How to Tune:
- 6th String (Low E): Tune down 5 semitones from E to B1. (Consider a heavier gauge string.)
- 5th String (A): Tune down 3 semitones from A to F3#.
- 4th String (D): Tune down 3 semitones from D to B2.
- 3rd String (G): Tune down 4 semitones from G to D4#. (Consider a heavier gauge string.)
- 2nd String (B): Tune down 5 semitones from B to F4#. (Consider a heavier gauge string.)
- 1st String (High E): Tune down 5 semitones from E to B3. (Consider a heavier gauge string.)
6th String (Low E): B1
5th String (A): F3#
4th String (D): B2
3rd String (G): D4#
2nd String (B): F4#
1st String (High E): B3
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Capos for BF#BD#F#B
Capo | Tuning | Name |
---|---|---|
-7 | EBEG#BE | Low Open E |
-6 | FCFACF | Low Open F |
-5 | F#C#F#A#C#F# | Low Open F# |
-4 | GDGBDG | Low Open G |
-3 | G#D#G#CD#G# | Open G# Tuning |
-2 | AEAC#EA | Alt Baritone Tuning |
-1 | A#FA#DFA# | Open A#/Bb |
0 | BF#BD#F#B | Open B Low |
1 | CGCEGC | Open C Low |
2 | C#G#C#FG#C# | Open C# |
3 | DADF#AD | Open D |
4 | D#A#D#GA#D# | Open D |
5 | EBEG#BE | Open E (Invalids) |
6 | FCFACF | F Lindley |
7 | F#C#F#A#C#F# | Open F# |
8 | GDGBDG | 6 String Cbg Open G |
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Tuning Map
- Fret
- S6
- S5
- S4
- S3
- S2
- S1
- -13
- D#
- G#
- C#
- F#
- A#
- D#
- -12
- E
- A
- D
- G
- B
- E
- -11
- F
- A#
- D#
- G#
- C
- F
- -10
- F#
- B
- E
- A
- C#
- F#
- -9
- G
- C
- F
- A#
- D
- G
- -8
- G#
- C#
- F#
- B
- D#
- G#
- -7
- A
- D
- G
- C
- E
- A
- -6
- A#
- D#
- G#
- C#
- F
- A#
- -5
- B
- E
- A
- D
- F#
- B
- -4
- C
- F
- A#
- D#
- G
- C
- -3
- C#
- F#
- B
- E
- G#
- C#
- -2
- D
- G
- C
- F
- A
- D
- -1
- D#
- G#
- C#
- F#
- A#
- D#
- 0
- E
- A
- D
- G
- B
- E
- 1
- F
- A#
- D#
- G#
- C
- F
- 2
- F#
- B
- E
- A
- C#
- F#
- 3
- G
- C
- F
- A#
- D
- G
- 4
- G#
- C#
- F#
- B
- D#
- G#
- 5
- A
- D
- G
- C
- E
- A
- 6
- A#
- D#
- G#
- C#
- F
- A#
- 7
- B
- E
- A
- D
- F#
- B
- -5
- -3
- -3
- -4
- -5
- -5