CDFGFG Guitar Tuner
CDFGFG C D F G F G - Guitar tuning, chords & scales
The "Low Drone Modal" Tuning
This intriguing C D F G F G tuning plunges the guitar into a deeply resonant and atmospheric soundscape, making it ideal for experimental music, heavy low-end riffs, or creating unique textures. With all strings tuned significantly down from standard, it offers a distinct voice characterized by its open, modal qualities and powerful, almost guttural, sustain.
Verbal Analysis
The "Low Drone Modal" tuning provides an immensely dark and expansive feel. The predominant downward shifts across all strings create a slack string tension (unless heavier gauge strings are used), which contributes to a thick, weighty tone perfect for sludgy riffs, ambient soundscapes, or percussive playing. The presence of two Fs (F2, F3) and two Gs (G2, G3) across different octaves within the open strings adds a complex resonance, allowing for rich, droning textures. This tuning evokes a sense of vastness and mystery, lending itself well to genres like doom metal, post-rock, dark folk, or cinematic scoring where a deep, sustained presence is desired. The unique string intervals discourage traditional chord shapes, encouraging exploration of open string voicings and single-note lines.
Technical Analysis
The open strings are tuned to C2 D2 F2 G2 F3 G3 (from lowest to highest). This collection of notes contains C, D, F, G, effectively providing the root, 2nd, 4th, and 5th of a C scale. The open tuning itself forms an implied C Sus4 with an added 9th (C-F-G-D), offering a rich, ambiguous tonality.
- String 6 (C2): The foundational low note, providing a deep, powerful root.
- String 5 (D2): A major second above the root, adding a melancholic or suspended quality.
- String 4 (F2): A minor third above the D, but a perfect fourth above the C, reinforcing a suspended or modal feel.
- String 3 (G2): A perfect fifth above C, providing harmonic stability and a natural drone.
- String 2 (F3): An octave above F2, creating a powerful resonance and chiming possibilities.
- String 1 (G3): An octave above G2, adding brightness and harmonic depth to the open strings.
The significant downward tuning (ranging from -4 to -12 semitones) means that standard guitar string gauges will likely feel very loose. For optimal playability, intonation, and tone, a much heavier gauge string set is highly recommended, especially for the lower strings.
Open Chords & Accessible Shapes
While not immediately forming standard triads, the open strings offer unique harmonic clusters:
- Open C Sus4 Add9 Voicing: The open strings themselves (C D F G F G) create a rich, dense voicing that can serve as a powerful C-based drone or chord.
- C Root Chords: The low C (string 6) makes C power chords (C-G-C) easily accessible by barring across strings 6, 3, and 1 at different frets (or simply 6 and 3 open).
- G Root Chords: With G2 and G3 open, one could easily build G power chords or even Gsus4 with the open C2 and D2.
- F Root Chords: The F2 and F3 open strings lend themselves to F power chords or Fsus2/Fsus4 formations.
- Barre Chords: Moving a one-finger barre up the fretboard will create interesting modal chords, often with a suspended or Lydian quality due to the Fs and Gs. For instance, barring across all strings at the 5th fret would yield a C chord (G-A-C-D-C-D), highlighting the 4th/5th relationship of the open strings.
Open String Notes
These are the target notes for each string:
- String 6 (Lowest): C2
- String 5: D2
- String 4: F2
- String 3: G2
- String 2: F3
- String 1 (Highest): G3
How to Tune (from Standard EADGBe)
Important Note: This tuning involves significant downward movements. Tuning more than 4 semitones down (or up) often requires a heavier gauge string set to maintain proper tension, intonation, and tone. Proceed with caution, especially when tuning down more than 7 semitones, as standard strings may become excessively loose.
- String 6 (Low E): Tune down 4 semitones to C2. (Original: E2)
- String 5 (A): Tune down 7 semitones to D2. (Original: A2) *Care advised for string tension.*
- String 4 (D): Tune down 9 semitones to F2. (Original: D3) *Heavier gauge string highly recommended.*
- String 3 (G): Tune down 12 semitones to G2. (Original: G3) *This is an entire octave down. A much heavier gauge string is essential for this string.*
- String 2 (B): Tune down 6 semitones to F3. (Original: B3) *Care advised for string tension.*
- String 1 (High E): Tune down 9 semitones to G3. (Original: E4) *Heavier gauge string highly recommended.*
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Capos for CDFGFG
| Capo | Tuning | Name |
|---|---|---|
| -14 | F#F#BE | Slipknot - Scissors (Bass Tuning) [Drop F# Bass?] |
| -13 | F#F#BE | Slipknot - Scissors (Bass Tuning) [Drop F# Bass?] |
| -12 | F#F#BE | Slipknot - Scissors (Bass Tuning) [Drop F# Bass?] |
| -11 | F#F#BE | Slipknot - Scissors (Bass Tuning) [Drop F# Bass?] |
| -10 | F#F#BE | Slipknot - Scissors (Bass Tuning) [Drop F# Bass?] |
| -9 | F#F#BE | Slipknot - Scissors (Bass Tuning) [Drop F# Bass?] |
| -8 | F#F#BE | Slipknot - Scissors (Bass Tuning) [Drop F# Bass?] |
| -7 | F#F#BE | Slipknot - Scissors (Bass Tuning) [Drop F# Bass?] |
| -6 | F#F#BE | Slipknot - Scissors (Bass Tuning) [Drop F# Bass?] |
| -5 | F#F#BE | Slipknot - Scissors (Bass Tuning) [Drop F# Bass?] |
| -4 | F#F#BE | Slipknot - Scissors (Bass Tuning) [Drop F# Bass?] |
| -3 | F#F#BE | Slipknot - Scissors (Bass Tuning) [Drop F# Bass?] |
| -2 | F#F#BE | Slipknot - Scissors (Bass Tuning) [Drop F# Bass?] |
| -1 | F#F#BE | Slipknot - Scissors (Bass Tuning) [Drop F# Bass?] |
| 0 | F#F#BE | Slipknot - Scissors (Bass Tuning) [Drop F# Bass?] |
| 1 | F#F#BE | Slipknot - Scissors (Bass Tuning) [Drop F# Bass?] |
| 2 | F#F#BE | Slipknot - Scissors (Bass Tuning) [Drop F# Bass?] |
| 3 | F#F#BE | Slipknot - Scissors (Bass Tuning) [Drop F# Bass?] |
| 4 | F#F#BE | Slipknot - Scissors (Bass Tuning) [Drop F# Bass?] |
| 5 | F#F#BE | Slipknot - Scissors (Bass Tuning) [Drop F# Bass?] |
| 6 | F#F#BE | Slipknot - Scissors (Bass Tuning) [Drop F# Bass?] |
| 7 | F#F#BE | Slipknot - Scissors (Bass Tuning) [Drop F# Bass?] |
| 8 | F#F#BE | Slipknot - Scissors (Bass Tuning) [Drop F# Bass?] |
| 9 | F#F#BE | Slipknot - Scissors (Bass Tuning) [Drop F# Bass?] |
| 10 | F#F#BE | Slipknot - Scissors (Bass Tuning) [Drop F# Bass?] |
| 11 | F#F#BE | Slipknot - Scissors (Bass Tuning) [Drop F# Bass?] |
| 12 | F#F#BE | Slipknot - Scissors (Bass Tuning) [Drop F# Bass?] |
| 13 | F#F#BE | Slipknot - Scissors (Bass Tuning) [Drop F# Bass?] |
| 14 | F#F#BE | Slipknot - Scissors (Bass Tuning) [Drop F# Bass?] |
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Tuning Map
- Fret
- S6
- S5
- S4
- S3
- S2
- S1
- -13
- D#
- G#
- C#
- F#
- A#
- D#
- -12
- E
- A
- D
- G
- B
- E
- -11
- F
- A#
- D#
- G#
- C
- F
- -10
- F#
- B
- E
- A
- C#
- F#
- -9
- G
- C
- F
- A#
- D
- G
- -8
- G#
- C#
- F#
- B
- D#
- G#
- -7
- A
- D
- G
- C
- E
- A
- -6
- A#
- D#
- G#
- C#
- F
- A#
- -5
- B
- E
- A
- D
- F#
- B
- -4
- C
- F
- A#
- D#
- G
- C
- -3
- C#
- F#
- B
- E
- G#
- C#
- -2
- D
- G
- C
- F
- A
- D
- -1
- D#
- G#
- C#
- F#
- A#
- D#
- 0
- E
- A
- D
- G
- B
- E
- 1
- F
- A#
- D#
- G#
- C
- F
- 2
- F#
- B
- E
- A
- C#
- F#
- 3
- G
- C
- F
- A#
- D
- G
- 4
- G#
- C#
- F#
- B
- D#
- G#
- 5
- A
- D
- G
- C
- E
- A
- 6
- A#
- D#
- G#
- C#
- F
- A#
- 7
- B
- E
- A
- D
- F#
- B
- -4
- -7
- -9
- -12
- -6
- -9
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