This tuning, named "C Standard (Low Baritone Tuning)", is explicitly designed for baritone guitars, particularly those utilizing a low 90 gauge string set. While its name might suggest a traditional C Standard (C-F-A#-D#-G-C), this specific configuration presents a distinctive perfect fourths interval across all strings: C1-F1-A#2-D#3-G#3-C#4. This consistent interval structure across all six strings provides a uniform fretboard logic, making it highly versatile for modern and experimental genres, as well as complex chord voicings and scale navigation.

Technical Analysis & Chordal Opportunities

The tuning of C1-F1-A#2-D#3-G#3-C#4 represents a true "Perfect Fourths" tuning. Each subsequent string is tuned a perfect fourth higher than the previous one. This creates a highly logical and consistent fretboard, unlike standard tuning which includes a major third interval between the G and B strings.

• Chord Construction: The regularity of perfect fourths simplifies chord shape transposition. Any chord shape can be moved across the fretboard and strings with predictable results. Power chords are particularly intuitive, formed by simply barring three adjacent strings at the same fret.
• Open String Chords: The open strings themselves (C-F-A#-D#-G#-C#) do not form a conventional major, minor, or dominant seventh chord. However, they can be interpreted as a Cmaj7#11addb9 (C, F is P4, A# is maj7, D# is #9/b3, G# is #11/b5, C# is maj2/b9). More practically, the tuning lends itself to exploring dissonant or extended voicings.
• Scale Navigation: Scales and arpeggios become highly symmetrical. Patterns learned on one set of strings can be directly applied to others, fostering a deep understanding of intervallic relationships.
• Low Register Authority: Starting with a C1, this tuning offers an incredibly deep and authoritative low end, ideal for heavy genres, extended range playing, and achieving a dense, resonant sound. The baritone guitar's longer scale length is crucial for maintaining tension and clarity at these low pitches.

How to Tune

This tuning involves tuning all strings down by one semitone from a presumed C# Standard tuning, or a tuning where each string is a semitone higher than the target note. Please proceed with care.

• String 6 (Low C): Tune down 1 semitone to reach C1.
• String 5 (Low F): Tune down 1 semitone to reach F1.
• String 4 (A#): Tune down 1 semitone to reach A#2.
• String 3 (D#): Tune down 1 semitone to reach D#3.
• String 2 (G#): Tune down 1 semitone to reach G#3.
• String 1 (High C#): Tune down 1 semitone to reach C#4.

Important Note: This tuning involves relatively minor adjustments (only 1 semitone down per string). However, for any tuning changes exceeding 4 semitones up or down, it is generally advised to consider a different gauge of strings to maintain optimal playability and string tension.

String 6 (Lowest): C1

String 5: F1

String 4: A#2

String 3: D#3

String 2: G#3

String 1 (Highest): C#4