FA#D#G#C#F# Bass Electric Tuner
FA#D#G#C#F# | FB♭E♭A♭D♭G♭ F0 Standard 6 String Bass - Bass Electric tuning, chords & scales
Verbal Analysis
This isn't just a low tuning; it's a plunge into the abyss! The F0 standard for a 6-string bass guitar delivers an exceptionally deep, rumbling sonic foundation that pushes the boundaries of conventional bass. This extreme low-end response makes it ideal for genres demanding earth-shattering weight and impact, such as Djent, Doom Metal, Extreme Metal, or experimental music where a dense, almost sub-harmonic texture is desired. The tuning creates a powerful, guttural presence, allowing the bass to operate as both a rhythmic anchor and a formidable, low-frequency sound generator. Be prepared for your instrument to vibrate in ways it never has before!
Technical Analysis
The open strings are tuned to F0, A#1, D#2, G#2, C#3, F#3. The lowest string, F0, anchors the entire instrument with an unprecedented depth, reaching frequencies rarely heard from a standard bass. The interval between the 6th (F0) and 5th (A#1) strings is a significant minor 10th (15 semitones), which presents a wide reach. However, the upper five strings (A#1, D#2, G#2, C#3, F#3) are consistently tuned in perfect fourths (5 semitones each). This familiar perfect fourth interval structure on the upper strings offers standard fingering patterns for scales and arpeggios, making melodic and rhythmic playing accessible despite the extreme overall low pitch. Harmonically, the open strings, when enharmonically respelled (F, Bb, Eb, Ab, Db, Gb), clearly outline an F natural minor scale (F Aeolian), providing a naturally dark, melancholic, and immensely weighty sonic character when played open or used for drone passages.
Chordal and Melodic Opportunities
While traditional open chords might be challenging to articulate across all six strings due to the extreme low frequencies and the expansive F0-A#1 interval, the upper five strings offer excellent opportunities for power chords, arpeggios, and scale fragments with consistent shapes. The perfect fourth intervals facilitate easy movement for standard bass lines and scale patterns across these strings. The F0 string serves as a monstrous, foundational root for heavy riffs and chugging patterns. Furthermore, the natural minor tonality inherent in the open strings lends itself to dark, brooding harmonies and dissonant textures. You can easily form massive two-finger power chords (root-5th) on strings 5-4, 4-3, 3-2, and 2-1 using a single fret position, and the F0 string can always provide a powerful drone or fundamental note.
Important Considerations: String Gauge
All strings are required to be tuned down by 8 semitones from a standard 6-string bass tuning (B-E-A-D-G-C). This is an extremely significant drop, far exceeding the typical safe range for standard gauge strings (which is generally limited to -4 or +4 semitones for optimal performance). To ensure proper string tension, accurate intonation, and good playability, a significantly heavier gauge string set specifically designed for extremely low and extended range tunings is absolutely essential for this setup. Attempting this tuning with standard strings will inevitably result in a floppy feel, poor tone, intonation issues, and potentially even damage to your instrument's neck due to insufficient tension.
How to Tune
- String 6 (Lowest): Tune down 8 semitones to reach F0.
- String 5: Tune down 8 semitones to reach A#1.
- String 4: Tune down 8 semitones to reach D#2.
- String 3: Tune down 8 semitones to reach G#2.
- String 2: Tune down 8 semitones to reach C#3.
- String 1 (Highest): Tune down 8 semitones to reach F#3.
String 6: F0
String 5: A#1
String 4: D#2
String 3: G#2
String 2: C#3
String 1: F#3
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Capos for FA#D#G#C#F#
| Capo | Tuning | Name |
|---|---|---|
| 0 | FA#D#G#C#F# | F0 Standard 6 String Bass |
| 7 | CFA#D#G#C# | C Standard (Low Baritone Tuning) |
| 8 | CGCEAD | :p |
| 9 | C#G#C#FA#D# | Jank Tuning |
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Tuning Map
- Fret
- S9
- S8
- S7
- S6
- S5
- S4
- -13
- C
- F
- A#
- D#
- G#
- C#
- -12
- C#
- F#
- B
- E
- A
- D
- -11
- D
- G
- C
- F
- A#
- D#
- -10
- D#
- G#
- C#
- F#
- B
- E
- -9
- E
- A
- D
- G
- C
- F
- -8
- F
- A#
- D#
- G#
- C#
- F#
- -7
- F#
- B
- E
- A
- D
- G
- -6
- G
- C
- F
- A#
- D#
- G#
- -5
- G#
- C#
- F#
- B
- E
- A
- -4
- A
- D
- G
- C
- F
- A#
- -3
- A#
- D#
- G#
- C#
- F#
- B
- -2
- B
- E
- A
- D
- G
- C
- -1
- C
- F
- A#
- D#
- G#
- C#
- 0
- C#
- F#
- B
- E
- A
- D
- 1
- D
- G
- C
- F
- A#
- D#
- 2
- D#
- G#
- C#
- F#
- B
- E
- 3
- E
- A
- D
- G
- C
- F
- 4
- F
- A#
- D#
- G#
- C#
- F#
- 5
- F#
- B
- E
- A
- D
- G
- 6
- G
- C
- F
- A#
- D#
- G#
- 7
- G#
- C#
- F#
- B
- E
- A
- -8
- -8
- -8
- -8
- -8
- -8
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