DADAD Guitar Tuner
DADAD DADxAD - Guitar tuning, chords & scales
The Open D No G (DADxAD) Tuning
This unique tuning for a 6-string guitar, effectively using only five strings by omitting the 3rd (G) string, offers a powerful and resonant soundscape centered around the key of D major. Named 'Open D No G' or 'Power D Five', it transforms your instrument into a versatile tool for blues, folk, rock, and slide playing, providing a distinctive tonal character and simplified chord voicings.
Verbal Analysis:
Imagine a vast, open sound where the notes ring out with a clear, full-bodied D Major chord whenever you strum all the open strings. The omission of the G string isn't just a technical detail; it actively shapes the sound, creating a more focused, sometimes percussive, and less harmonically dense texture. This can be particularly advantageous for players who prefer a clean, driving rhythm without the potential muddiness of an extra string. The lack of a middle G string also means less need for muting, allowing for more aggressive strumming or fingerstyle approaches.
The tuning encourages a 'barre' approach to chords, where simply fretting all five strings at a given fret will yield a major chord in that key (e.g., barring the 2nd fret gives an E Major chord). This makes playing in different keys incredibly intuitive. Furthermore, the low D-A-D arrangement on the bottom three strings is perfect for creating thick, resonant power chords with minimal effort, ideal for heavy riffs or a strong rhythmic foundation. Slide players will find this tuning exceptionally forgiving and expressive, as the open D major triad allows for beautiful, soaring melodies.
Technical Analysis:
The tuning D-A-D-A-D (from lowest to highest available string: D2, A2, D3, A3, D4) is a pure D Major chord across the open strings. The intervals are as follows:
- D2 to A2: Perfect Fifth (P5)
- A2 to D3: Perfect Fourth (P4)
- D3 to A3: Perfect Fifth (P5)
- A3 to D4: Perfect Fourth (P4)
The strategic omission of the G string means that the typical 3rd thinnest string is absent, which changes the typical string numbering from six to five in practice, but on a 6-string guitar it means you'd simply remove the G string or ensure it's muted. This structure ensures that striking all open strings immediately produces a D Major chord (Root-Fifth-Root-Fifth-Root). The absence of the minor third interval (or major third) that a G string typically provides means a more open, uncluttered sound that lends itself well to drone-like textures and simplified harmonic structures. All string movements required to achieve this tuning are within 2 semitones, making it safe for standard string gauges without concern for undue tension or looseness.
Tuning Notes for Open D No G (DADxAD)
This tuning results in the following notes for your five active strings, from the thickest (lowest pitch) to the thinnest (highest pitch):
String 5 (Low E-string equivalent): D2
String 4 (A-string equivalent): A2
String 3 (D-string equivalent): D3
String 2 (B-string equivalent): A3
String 1 (High E-string equivalent): D4
How to Tune Your Guitar to Open D No G (DADxAD)
To achieve the Open D No G tuning from standard EADGBe tuning, follow these specific adjustments for each string. Remember that the 3rd thinest string (G) is omitted or muted for this tuning.
- String 5 (Lowest, formerly Low E): Starting from E2, tune down 2 semitones to reach D2.
- String 4 (A string): Starting from A2, keep as is; no change (0 semitones). The string remains A2.
- String 3 (D string): Starting from D3, keep as is; no change (0 semitones). The string remains D3.
- String 2 (B string): Starting from B3, tune down 2 semitones to reach A3.
- String 1 (Highest, formerly High E): Starting from E4, tune down 2 semitones to reach D4.
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Capos for DADAD
| Capo | Tuning | Name |
|---|---|---|
| 0 | DADAD | DADxAD |
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Tuning Map
- Fret
- S6
- S5
- S4
- S2
- S1
- -13
- D#
- G#
- C#
- A#
- D#
- -12
- E
- A
- D
- B
- E
- -11
- F
- A#
- D#
- C
- F
- -10
- F#
- B
- E
- C#
- F#
- -9
- G
- C
- F
- D
- G
- -8
- G#
- C#
- F#
- D#
- G#
- -7
- A
- D
- G
- E
- A
- -6
- A#
- D#
- G#
- F
- A#
- -5
- B
- E
- A
- F#
- B
- -4
- C
- F
- A#
- G
- C
- -3
- C#
- F#
- B
- G#
- C#
- -2
- D
- G
- C
- A
- D
- -1
- D#
- G#
- C#
- A#
- D#
- 0
- E
- A
- D
- B
- E
- 1
- F
- A#
- D#
- C
- F
- 2
- F#
- B
- E
- C#
- F#
- 3
- G
- C
- F
- D
- G
- 4
- G#
- C#
- F#
- D#
- G#
- 5
- A
- D
- G
- E
- A
- 6
- A#
- D#
- G#
- F
- A#
- 7
- B
- E
- A
- F#
- B
- -2
- 0
- 0
- -2
- -2
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