DEADAD Guitar Tuner
DEADAD Dead Dad - Guitar tuning, chords & scales
Tuning Analysis: Dead Dad
The "Dead Dad" tuning presents a unique and evocative soundscape, specifically tailored for ease of arpeggiation and creating deep, resonant textures. As described in its initial purpose, it's designed to facilitate flowing melodic patterns and harmonically rich drones, making it a compelling choice for styles ranging from atmospheric folk to experimental rock and blues.
Technical Breakdown
This tuning sets your guitar strings to D2-E2-A2-D3-A3-D4 from low to high. Upon open strumming, the tuning does not form a conventional major or minor triad. Instead, it creates an open Dsus2 voicing (D-E-A) stretched across multiple octaves (D2, E2, A2, D3, A3, D4). The prominent D-A-D-A-D structure across the 6th, 4th, 3rd, 2nd, and 1st strings provides a strong, resonant D power chord foundation, while the 5th string's E2 introduces a 'suspended' or 'second' quality. This yields a sound that is both open and slightly unresolved, encouraging modal playing and melodic exploration rather than strict chordal accompaniment in D. The open strings offer a blend of deep resonance and a lingering tension from the E note, suitable for introspective or expansive musical pieces.
Chords and Playability
The open D-E-A-D-A-D tuning lends itself exceptionally well to:
- Drone Work: The repeated D and A notes across octaves create a powerful, sustained drone perfect for atmospheric pieces and open-string riffs.
- Suspended Harmonies: The open E string naturally creates Dsus2 (D-E-A) sounds. By fretting the E string at the 1st fret (F), you can easily achieve a D minor, or at the 2nd fret (F#) for a D major, while maintaining the open D-A notes. This flexibility makes it easy to shift between moods.
- Arpeggios: The open, non-standard intervals make for intriguing arpeggiated patterns, where individual notes ring out beautifully without clashing. This is precisely what the "easy arpegiatting" description highlights, allowing for fluid melodic lines with harmonic depth.
- Open Voicings: Simple barres can yield complex-sounding chords. A single finger barring across the first five or six strings at any fret will produce interesting power chords or suspended voicings, building on the D-A-D-A-D foundation. For instance, barring at the 5th fret yields a Gsus2 chord (G-A-D).
This tuning truly shines when exploring fingerstyle arrangements or slide guitar, where the open strings can resonate freely, and the suspended quality adds a layer of sophistication to otherwise simple melodies.
How to Tune Your Guitar to Dead Dad
To achieve the "Dead Dad" tuning from standard E-A-D-G-B-E, follow these steps. Please note the significant drops in pitch for some strings. When tuning strings down by 5 semitones or more, it is generally advisable to consider a lighter gauge string set to maintain optimal tension, prevent excessive floppiness, and ensure better intonation and playability.
- 6th String (Low E): Tune down 2 semitones to D2.
- 5th String (A): Tune down 5 semitones to E2. This is a substantial drop from standard A.
- 4th String (D): Tune down 5 semitones to A2. This is a significant adjustment from standard D.
- 3rd String (G): Tune down 5 semitones to D3. This is a major change from standard G.
- 2nd String (B): Tune down 2 semitones to A3.
- 1st String (High E): Tune down 2 semitones to D4.
The open notes for the "Dead Dad" tuning are:
- 6th String: D2
- 5th String: E2
- 4th String: A2
- 3rd String: D3
- 2nd String: A3
- 1st String: D4
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Tuning Map
- Fret
- S6
- S5
- S4
- S3
- S2
- S1
- -13
- D#
- G#
- C#
- F#
- A#
- D#
- -12
- E
- A
- D
- G
- B
- E
- -11
- F
- A#
- D#
- G#
- C
- F
- -10
- F#
- B
- E
- A
- C#
- F#
- -9
- G
- C
- F
- A#
- D
- G
- -8
- G#
- C#
- F#
- B
- D#
- G#
- -7
- A
- D
- G
- C
- E
- A
- -6
- A#
- D#
- G#
- C#
- F
- A#
- -5
- B
- E
- A
- D
- F#
- B
- -4
- C
- F
- A#
- D#
- G
- C
- -3
- C#
- F#
- B
- E
- G#
- C#
- -2
- D
- G
- C
- F
- A
- D
- -1
- D#
- G#
- C#
- F#
- A#
- D#
- 0
- E
- A
- D
- G
- B
- E
- 1
- F
- A#
- D#
- G#
- C
- F
- 2
- F#
- B
- E
- A
- C#
- F#
- 3
- G
- C
- F
- A#
- D
- G
- 4
- G#
- C#
- F#
- B
- D#
- G#
- 5
- A
- D
- G
- C
- E
- A
- 6
- A#
- D#
- G#
- C#
- F
- A#
- 7
- B
- E
- A
- D
- F#
- B
- -2
- -5
- -5
- -5
- -2
- -2
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