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D#A#D#GA#D Guitar Tuner

D#A#D#GA#D | E♭B♭E♭GB♭D Open D# Maj 7 - Guitar tuning, chords & scales

Description - Open D# Maj 7

simply one semitone up from open d maj 7 for easier use when playing higher stuff.

Description of the High Reach D# Maj7 Tuning

Verbal Analysis

This tuning, often referred to as Open D# Major 7, offers a bright and expansive sound, designed to make higher-register playing particularly accessible. It's described as being simply one semitone up from Open D Major 7, which opens up new melodic and harmonic possibilities without complex fingerings. The open strings resonate beautifully to form a full D# Major 7 chord, creating a rich, resonant drone that's perfect for slide guitar, ambient textures, or simply exploring a new sonic landscape. Its structure encourages exploration across the fretboard, with many common chord shapes becoming readily available with minimal effort, and allows for easy barring to transpose the D# Maj 7 chord.

Technical Analysis

The open strings are tuned to D#3, A#3, D#4, G3, A#4, and D4 (from the lowest to the highest string position). This arrangement directly forms a D# Major 7 chord, with each string contributing a specific chord tone:

  • 6th String (D#3): Root
  • 5th String (A#3): Perfect 5th
  • 4th String (D#4): Octave Root
  • 3rd String (G3): Major 3rd (enharmonically F double sharp)
  • 2nd String (A#4): Octave Perfect 5th
  • 1st String (D4): Major 7th (enharmonically C double sharp)

This configuration makes it effortless to play a D# Major 7 chord across all open strings. By barring across any single fret, you can easily transpose this Major 7 chord to other keys (e.g., barring at the 1st fret yields an E Major 7 chord). The presence of the root, third, fifth, and seventh spread across the strings facilitates easy arpeggiation and melodic embellishments over a D# Major 7 harmony.

How to Tune

To achieve the 'High Reach D# Maj7' tuning from your current setup, follow these string adjustments:

  • For the 6th string: Tune down 1 semitones.
  • For the 5th string: Tune up 1 semitones.
  • For the 4th string: Tune up 1 semitones.
  • For the 3rd string: Keep as is; no change (0 semitones).
  • For the 2nd string: Tune down 1 semitones.
  • For the 1st string: Tune down 2 semitones.

Important Note: Significant changes in string tension (tuning up or down more than 4 semitones) may require a different string gauge to maintain optimal playability and avoid damage to your instrument or strings. In this tuning, all string movements are within the generally safe range of 1-2 semitones (absolute value), so standard string gauges should be perfectly suitable.



On your Guitar, the strings should be tuned as follows:

  • The 6th string (typically low E) is tuned to D3#.
  • The 5th string (typically A) is tuned to A3#.
  • The 4th string (typically D) is tuned to D4#.
  • The 3rd string (typically G) is tuned to G3.
  • The 2nd string (typically B) is tuned to A4#.
  • The 1st string (typically high E) is tuned to D4.

D#
A#
D#
G
A#
D

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Capos for D#A#D#GA#D

Capo Tuning Name
-4 BF#BD#F#A# BFBDFA Low B
-3 CGCEGB Open C Maj 7
-2 C#G#C#FG#C C# Major 7 Resonance
-1 DADF#AC# Open D Maj 7 Tuning
0 D#A#D#GA#D Open D# Maj 7
1 EBEG#BD# EBEGBD
2 FCFACE Allan’s Fmaj7

Scales for D#A#D#GA#D

A A# B C C# D

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