EADGCEA Guitar Tuner
EADGCEA E/A Standard Tuning (7-String) - Guitar tuning, chords & scales
Welcome to the abyss! The E Standard (7-String) tuning is a behemoth, taking the common B Standard 7-string tuning (B-E-A-D-G-B-E) and plunging it a full seven semitones lower. This dramatic drop results in a deeply resonant and incredibly heavy sound, making it a cornerstone for genres that demand extreme low-end power, such as progressive metal, djent, doom metal, and other forms of heavy music.
Verbal Analysis
When playing in E Standard, you'll immediately notice the immense depth and guttural roar from the lowest E string. This tuning creates a thick, almost bass-like foundation, allowing for incredibly weighty chugging riffs and earth-shattering power chords. The overall feel is one of immense gravitas and a slightly looser string tension (unless using significantly heavier gauge strings). It's a tuning that commands attention, filling the sonic spectrum with a dark and brooding character. While significantly lower, the consistent interval structure of standard tuning is largely maintained, meaning familiar chord shapes and scale patterns remain relevant, simply transposed to a much lower register.
Technical Analysis
The open strings for E Standard (7-String) are E1 A1 D2 G2 C3 E3 A3. This represents a perfect fifth (7 semitones) descent from the standard B-E-A-D-G-B-E 7-string tuning. The interval structure between strings is as follows:
- String 7 (E1) to String 6 (A1): Perfect Fourth
- String 6 (A1) to String 5 (D2): Perfect Fourth
- String 5 (D2) to String 4 (G2): Perfect Fourth
- String 4 (G2) to String 3 (C3): Perfect Fourth
- String 3 (C3) to String 2 (E3): Major Third
- String 2 (E3) to String 1 (A3): Perfect Fourth
This familiar pattern of mostly perfect fourths with a single major third between the 3rd and 2nd strings ensures that many chord shapes and scale patterns from standard tuning are directly transferable, albeit with a deeper sonic impact. Open power chords, such as E5 (E1-A1-E2) or A5 (A1-D2-A2), are easily achievable, providing a massive low-end wall of sound. The low E1 makes for incredibly heavy single-note riffs and allows for extended range bass lines when needed. Barre chords will also take on a much thicker, more resonant quality due to the lower frequencies.
How to Tune to E Standard (7-String)
This tuning requires a significant adjustment from standard B-E-A-D-G-B-E 7-string tuning. Each string is tuned down 7 semitones. When tuning down by more than 4 semitones (or tuning up), it is generally advisable to consider using a different string gauge to maintain optimal string tension and intonation, and to prevent string damage.
- String 7 (Lowest): Tune to E1. This involves tuning the string down 7 semitones.
- String 6: Tune to A1. This involves tuning the string down 7 semitones.
- String 5: Tune to D2. This involves tuning the string down 7 semitones.
- String 4: Tune to G2. This involves tuning the string down 7 semitones.
- String 3: Tune to C3. This involves tuning the string down 7 semitones.
- String 2: Tune to E3. This involves tuning the string down 7 semitones.
- String 1 (Highest): Tune to A3. This involves tuning the string down 7 semitones.
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Capos for EADGCEA
Capo | Tuning | Name |
---|---|---|
-5 | BEADGBE | Standard (Contra) Tuning |
-2 | DGCFA#DG | Octave Down D Standard |
-1 | D#G#C#F#BD#G# | Standard Baritone (Long-Neck) Tuning |
0 | EADGCEA | E/A Standard Tuning (7-String) |
1 | FA#D#G#C#FA# | F Standard 7-String |
2 | F#BEADF#B | Asdad |
3 | GCFA#D#GC | G Standard 7-string |
4 | G#C#F#BEG#C# | G# Standard 7-string |
5 | ADGCFAD | A Standard 7-string |
6 | A#D#G#C#F#A#D# | A# Standard 7-string |
7 | BEADGBE | 7 String Standard |
10 | DGCFA#DG | Standard (Terz) Tuning |
12 | EADGCEA | Lenny Breau Tuning |
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Tuning Map
- Fret
- S7
- S6
- S5
- S4
- S3
- S2
- S1
- -13
- A#
- D#
- G#
- C#
- F#
- A#
- D#
- -12
- B
- E
- A
- D
- G
- B
- E
- -11
- C
- F
- A#
- D#
- G#
- C
- F
- -10
- C#
- F#
- B
- E
- A
- C#
- F#
- -9
- D
- G
- C
- F
- A#
- D
- G
- -8
- D#
- G#
- C#
- F#
- B
- D#
- G#
- -7
- E
- A
- D
- G
- C
- E
- A
- -6
- F
- A#
- D#
- G#
- C#
- F
- A#
- -5
- F#
- B
- E
- A
- D
- F#
- B
- -4
- G
- C
- F
- A#
- D#
- G
- C
- -3
- G#
- C#
- F#
- B
- E
- G#
- C#
- -2
- A
- D
- G
- C
- F
- A
- D
- -1
- A#
- D#
- G#
- C#
- F#
- A#
- D#
- 0
- B
- E
- A
- D
- G
- B
- E
- 1
- C
- F
- A#
- D#
- G#
- C
- F
- 2
- C#
- F#
- B
- E
- A
- C#
- F#
- 3
- D
- G
- C
- F
- A#
- D
- G
- 4
- D#
- G#
- C#
- F#
- B
- D#
- G#
- 5
- E
- A
- D
- G
- C
- E
- A
- 6
- F
- A#
- D#
- G#
- C#
- F
- A#
- 7
- F#
- B
- E
- A
- D
- F#
- B
- -7
- -7
- -7
- -7
- -7
- -7
- -7