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EG#BG#C#D# Guitar Tuner

EG#BG#C#D# | EA♭BA♭D♭E♭ Open Emo Experiment Tuning - Guitar tuning, chords & scales

Description - Open Emo Experiment Tuning

I made this up to experiment with. I came up with it by tuning facgce down a full step then tuning the 2nd and 3rd strings up.

Verbal Analysis: Open E Majestic Tuning

This unique tuning, originally conceived by its creator as an "Open Emo Experiment," actually reveals a remarkably bright, expansive, and harmonically rich sound. Far from any melancholic "emo" vibe, it deeply explores the E Major tonality, offering a lush landscape for creative expression. The open strings resonate with a complex yet inviting E Major Seventh chord, beautifully enhanced by an added C#. This creates a full-bodied, almost orchestral quality, making it an excellent choice for ambient soundscapes, cinematic textures, or even progressive rock where ringing chords and layered harmonies are paramount.

Technical Analysis: Open E Majestic Tuning

The open string notes, from low to high, are E2-G3#-B2-G4#-C5#-D5#. This configuration essentially forms an Emaj7(add6) chord, consisting of the notes E (Root), G# (Major 3rd), B (Perfect 5th), C# (Major 6th), and D# (Major 7th). The repetition of G# at different octaves (String 5 and String 3) adds a desirable thickness and natural resonance to the overall voicing. The wide intervallic spread across the neck provides a clear, bell-like quality to the open strum, with a strong root foundation on the low E string.

Chords and Playability:

  • Open Strum: The most immediate benefit is the glorious Emaj7(add6) chord that rings out when all strings are played open. This serves as a perfect tonic chord for compositions in E Major.
  • Barre Chords: Due to the consistent harmonic structure of the open strings, barring across any fret will instantly transpose the Emaj7(add6) shape. For example, a single barre at the 1st fret yields an Fmaj7(add6), at the 3rd fret a Gmaj7(add6), and so forth. This makes transposing major 7th chords incredibly intuitive and accessible across the fretboard.
  • Two-Finger Voicings: Experimenting with simple two-finger shapes or partial barres on adjacent strings can unlock a myriad of consonant and surprising chord voicings, all within the rich E Major framework.
  • Drone Potential: The low E string (E2) provides a powerful and stable drone, allowing for melodic improvisation and harmonic layering on the higher strings without losing the central tonality.

Creator's Insight:

As described by its creator, this tuning was developed through an experimental process, initially by taking a `facgce` tuning, shifting it down a full step, and then fine-tuning the 2nd and 3rd strings upwards. This iterative approach often leads to highly original and inspiring tunings, and this "Open E Majestic" is a testament to that creative journey.



Open String Notes:

String 6 (Low E): E2

String 5 (A String): G3#

String 4 (D String): B2

String 3 (G String): G4#

String 2 (B String): C5#

String 1 (High E): D5#

How to Tune to Open E Majestic Tuning (from Standard EADGBe):

Please exercise caution when adjusting string tension. For string movements exceeding 4 semitones up or down, considering a different string gauge is highly recommended to prevent string breakage or excessive floppiness. Always tune slowly and use a reliable tuner.

  • String 6 (Low E): Keep as is; no change (0 semitones). The note remains E2.
  • String 5 (A String): Tune down 1 semitone. The note becomes G3#.
  • String 4 (D String): Tune down 3 semitones. The note becomes B2. (This is a significant drop; adjust carefully.)
  • String 3 (G String): Tune up 1 semitone. The note becomes G4#.
  • String 2 (B String): Tune up 2 semitones. The note becomes C5#. (Adjust carefully as you are increasing tension.)
  • String 1 (High E): Tune down 1 semitone. The note becomes D5#.

E
G#
B
G#
C#
D#

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Capos for EG#BG#C#D#

Capo Tuning Name
-2 DF#AF#BC# B Minor 9 Tuning
-1 D#GA#GCD C Minor 9 Tuning
0 EG#BG#C#D# Open Emo Experiment Tuning
1 FACADE FACADE

Scales for EG#BG#C#D#

A A# B C C# D

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