EG#BG#C#D# Guitar Tuner
EG#BG#C#D# | EA♭BA♭D♭E♭ Open Emo Experiment Tuning - Guitar tuning, chords & scales
Verbal Analysis: Open E Majestic Tuning
This unique tuning, originally conceived by its creator as an "Open Emo Experiment," actually reveals a remarkably bright, expansive, and harmonically rich sound. Far from any melancholic "emo" vibe, it deeply explores the E Major tonality, offering a lush landscape for creative expression. The open strings resonate with a complex yet inviting E Major Seventh chord, beautifully enhanced by an added C#. This creates a full-bodied, almost orchestral quality, making it an excellent choice for ambient soundscapes, cinematic textures, or even progressive rock where ringing chords and layered harmonies are paramount.
Technical Analysis: Open E Majestic Tuning
The open string notes, from low to high, are E2-G3#-B2-G4#-C5#-D5#. This configuration essentially forms an Emaj7(add6) chord, consisting of the notes E (Root), G# (Major 3rd), B (Perfect 5th), C# (Major 6th), and D# (Major 7th). The repetition of G# at different octaves (String 5 and String 3) adds a desirable thickness and natural resonance to the overall voicing. The wide intervallic spread across the neck provides a clear, bell-like quality to the open strum, with a strong root foundation on the low E string.
Chords and Playability:
- Open Strum: The most immediate benefit is the glorious Emaj7(add6) chord that rings out when all strings are played open. This serves as a perfect tonic chord for compositions in E Major.
- Barre Chords: Due to the consistent harmonic structure of the open strings, barring across any fret will instantly transpose the Emaj7(add6) shape. For example, a single barre at the 1st fret yields an Fmaj7(add6), at the 3rd fret a Gmaj7(add6), and so forth. This makes transposing major 7th chords incredibly intuitive and accessible across the fretboard.
- Two-Finger Voicings: Experimenting with simple two-finger shapes or partial barres on adjacent strings can unlock a myriad of consonant and surprising chord voicings, all within the rich E Major framework.
- Drone Potential: The low E string (E2) provides a powerful and stable drone, allowing for melodic improvisation and harmonic layering on the higher strings without losing the central tonality.
Creator's Insight:
As described by its creator, this tuning was developed through an experimental process, initially by taking a `facgce` tuning, shifting it down a full step, and then fine-tuning the 2nd and 3rd strings upwards. This iterative approach often leads to highly original and inspiring tunings, and this "Open E Majestic" is a testament to that creative journey.
Open String Notes:
String 6 (Low E): E2
String 5 (A String): G3#
String 4 (D String): B2
String 3 (G String): G4#
String 2 (B String): C5#
String 1 (High E): D5#
How to Tune to Open E Majestic Tuning (from Standard EADGBe):
Please exercise caution when adjusting string tension. For string movements exceeding 4 semitones up or down, considering a different string gauge is highly recommended to prevent string breakage or excessive floppiness. Always tune slowly and use a reliable tuner.
- String 6 (Low E): Keep as is; no change (0 semitones). The note remains E2.
- String 5 (A String): Tune down 1 semitone. The note becomes G3#.
- String 4 (D String): Tune down 3 semitones. The note becomes B2. (This is a significant drop; adjust carefully.)
- String 3 (G String): Tune up 1 semitone. The note becomes G4#.
- String 2 (B String): Tune up 2 semitones. The note becomes C5#. (Adjust carefully as you are increasing tension.)
- String 1 (High E): Tune down 1 semitone. The note becomes D5#.
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Capos for EG#BG#C#D#
Capo | Tuning | Name |
---|---|---|
-2 | DF#AF#BC# | B Minor 9 Tuning |
-1 | D#GA#GCD | C Minor 9 Tuning |
0 | EG#BG#C#D# | Open Emo Experiment Tuning |
1 | FACADE | FACADE |
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Tuning Map
- Fret
- S6
- S5
- S4
- S3
- S2
- S1
- -13
- D#
- G#
- C#
- F#
- A#
- D#
- -12
- E
- A
- D
- G
- B
- E
- -11
- F
- A#
- D#
- G#
- C
- F
- -10
- F#
- B
- E
- A
- C#
- F#
- -9
- G
- C
- F
- A#
- D
- G
- -8
- G#
- C#
- F#
- B
- D#
- G#
- -7
- A
- D
- G
- C
- E
- A
- -6
- A#
- D#
- G#
- C#
- F
- A#
- -5
- B
- E
- A
- D
- F#
- B
- -4
- C
- F
- A#
- D#
- G
- C
- -3
- C#
- F#
- B
- E
- G#
- C#
- -2
- D
- G
- C
- F
- A
- D
- -1
- D#
- G#
- C#
- F#
- A#
- D#
- 0
- E
- A
- D
- G
- B
- E
- 1
- F
- A#
- D#
- G#
- C
- F
- 2
- F#
- B
- E
- A
- C#
- F#
- 3
- G
- C
- F
- A#
- D
- G
- 4
- G#
- C#
- F#
- B
- D#
- G#
- 5
- A
- D
- G
- C
- E
- A
- 6
- A#
- D#
- G#
- C#
- F
- A#
- 7
- B
- E
- A
- D
- F#
- B
- 0
- -1
- -3
- 1
- 2
- -1