FCFA#D#G#CF Guitar Tuner
FCFA#D#G#CF | FCFB♭E♭A♭CF Drop F 8-string - Guitar tuning, chords & scales
Tuning Analysis: Drop F 8-String
The Drop F 8-String tuning is a deeply resonant and powerful setup, perfectly tailored for heavy genres such as metal, djent, and progressive rock. It offers an incredibly low and dark foundation, making it ideal for crushing riffs, guttural breakdowns, and complex, extended-range chord voicings. This tuning expands the sonic palette of an 8-string guitar, pushing the boundaries of low-end aggression and harmonic possibilities by dropping the lowest string while raising others, creating a unique and formidable sound.
Technical Breakdown:
This tuning results in the following open string notes from lowest to highest: F1-C2-F2-A#3-D#4-G#4-C4-F4. Let's break down the harmonic structure and intervals:
- The lowest three strings (F1-C2-F2) form a robust and resonant F power chord (Root-Fifth-Octave), providing an incredibly strong and thick foundation for low-end riffing. This 'drop' characteristic on the lowest string gives the tuning its name and a significant part of its sonic identity.
- Analyzing the unique notes present across all open strings (F, C, A#/Bb, D#/Eb, G#/Ab), we can identify a complex harmonic landscape. The tuning incorporates elements of an F minor 7th chord (F-Ab-C-Eb) with an added perfect 4th (Bb). This combination creates a dark, brooding, and somewhat suspended quality when strummed open, allowing for rich and dissonant textures.
- Intervals between adjacent strings vary, promoting diverse fingering opportunities:
- String 8 (F1) to String 7 (C2): Perfect 5th
- String 7 (C2) to String 6 (F2): Perfect 4th
- String 6 (F2) to String 5 (A#3/Bb3): Compound Perfect 4th (a Perfect 4th plus an octave, indicating a significant register jump that expands the guitar's range).
- String 5 (A#3/Bb3) to String 4 (D#4/Eb4): Perfect 4th
- String 4 (D#4/Eb4) to String 3 (G#4/Ab4): Perfect 4th
- String 3 (G#4/Ab4) to String 2 (C4): Major 3rd
- String 2 (C4) to String 1 (F4): Perfect 4th
Chordal Possibilities & Playability:
The prominent F power chord on the lowest strings provides a fantastic starting point for heavy riffs and chugging. The open tuning itself, with its F-C-F-A#-D#-G#-C-F structure, naturally lends itself to creating an F minor 7th(add4) voicing, which sounds incredibly rich and dark. Moving this shape up and down the neck allows for quick access to various complex minor 7th and suspended voicings, especially across the middle strings. The higher strings, with their familiar Perfect 4th and Major 3rd intervals, allow for adaptation of standard guitar chord shapes and scales, providing a sense of familiarity for lead playing and upper-register chords. The extreme low F1 offers an extended range for bass lines and deeply resonant harmonic textures, while the higher F4 provides bright leads and articulate chord voicings, making this a versatile tuning for complex arrangements.
How to Tune:
To achieve the Drop F 8-String tuning, follow these specific string adjustments to reach the final notes listed. Note that these movements are relative to an assumed standard 8-string tuning. Since all string movements are within 4 semitones (only -1 or +1), a change in string gauge is generally not required, but always ensure your guitar's neck relief and intonation are properly set after any tuning change.
- String 8 (Lowest F): Tune down 1 semitone to F1.
- String 7 (C): Tune up 1 semitone to C2.
- String 6 (F): Tune up 1 semitone to F2.
- String 5 (A#/Bb): Tune up 1 semitone to A#3.
- String 4 (D#/Eb): Tune up 1 semitone to D#4.
- String 3 (G#/Ab): Tune up 1 semitone to G#4.
- String 2 (C): Tune up 1 semitone to C4.
- String 1 (Highest F): Tune up 1 semitone to F4.
- String 8: F1 (The lowest string, providing an ultra-deep, resonant bass foundation.)
- String 7: C2 (A perfect fifth above the lowest F, adding depth and power to the core.)
- String 6: F2 (An octave above the lowest F, reinforcing the root note and adding significant thickness.)
- String 5: A#3 (Bb3) (A compound perfect fourth from F2, or a major third from F, adding a unique, somewhat suspended harmonic color.)
- String 4: D#4 (Eb4) (A perfect fourth above A#/Bb, or a minor seventh from F, contributing to the dark and heavy character.)
- String 3: G#4 (Ab4) (A perfect fourth above D#/Eb, or a minor third from F, adding another layer to the complex tonality.)
- String 2: C4 (An octave above C2 and a perfect fifth from F, grounding the higher register with a familiar harmonic tone.)
- String 1: F4 (An octave above F2 and two octaves above F1, completing the F triad in the higher register and providing clarity for leads.)
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Capos for FCFA#D#G#CF
| Capo | Tuning | Name |
|---|---|---|
| -8 | AEADGCEA | 8 Strings Drop A |
| -7 | A#FA#D#G#C#FA# | Double Drop A# (8 String Tuning) |
| -6 | BF#BEADF#B | B1F2B2E3A3D4F4B4 |
| -5 | CGCFA#D#GC | Double Drop C (8-String Guitar) |
| -4 | C#G#C#F#BEG#C# | Drop C# |
| -3 | DADGCFAD | Ultra-Low Drop D (8-String) |
| -2 | D#A#D#G#C#F#A#D# | Double Dropped F Standard 8-string |
| -1 | EBEADGBE | 8 String Drop E |
| 0 | FCFA#D#G#CF | Drop F 8-string |
| 1 | F#C#F#BEAC#F# | Drop F# - 8 String |
| 2 | GDGCFA#DG | 8-string Drop G |
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Tuning Map
- Fret
- S8
- S7
- S6
- S5
- S4
- S3
- S2
- S1
- -13
- F
- A#
- D#
- G#
- C#
- F#
- A#
- D#
- -12
- F#
- B
- E
- A
- D
- G
- B
- E
- -11
- G
- C
- F
- A#
- D#
- G#
- C
- F
- -10
- G#
- C#
- F#
- B
- E
- A
- C#
- F#
- -9
- A
- D
- G
- C
- F
- A#
- D
- G
- -8
- A#
- D#
- G#
- C#
- F#
- B
- D#
- G#
- -7
- B
- E
- A
- D
- G
- C
- E
- A
- -6
- C
- F
- A#
- D#
- G#
- C#
- F
- A#
- -5
- C#
- F#
- B
- E
- A
- D
- F#
- B
- -4
- D
- G
- C
- F
- A#
- D#
- G
- C
- -3
- D#
- G#
- C#
- F#
- B
- E
- G#
- C#
- -2
- E
- A
- D
- G
- C
- F
- A
- D
- -1
- F
- A#
- D#
- G#
- C#
- F#
- A#
- D#
- 0
- F#
- B
- E
- A
- D
- G
- B
- E
- 1
- G
- C
- F
- A#
- D#
- G#
- C
- F
- 2
- G#
- C#
- F#
- B
- E
- A
- C#
- F#
- 3
- A
- D
- G
- C
- F
- A#
- D
- G
- 4
- A#
- D#
- G#
- C#
- F#
- B
- D#
- G#
- 5
- B
- E
- A
- D
- G
- C
- E
- A
- 6
- C
- F
- A#
- D#
- G#
- C#
- F
- A#
- 7
- C#
- F#
- B
- E
- A
- D
- F#
- B
- -1
- 1
- 1
- 1
- 1
- 1
- 1
- 1
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