GADDAD Guitar Tuner
GADDAD GAGDAD - Guitar tuning, chords & scales
Tuning Overview: GAGDAD
This distinctive tuning, named GAGDAD, presents a fresh and expansive soundscape. As described by its creator as "Awesome :D", it truly offers an intriguing departure from standard tuning, inviting exploration into modal and droning textures that can inspire new melodic and harmonic ideas.
Verbal Analysis
GAGDAD boasts a rich, resonant character, heavily centered around the notes G, A, and D. The open strings themselves do not form a simple major or minor triad, but rather a complex Gsus2add4 chord (G-A-D-D-A-D), suggesting a tuning ripe for expressive, less conventional harmony. The presence of three D notes (strings 4, 3, 1) and two A notes (strings 5, 2) creates a powerful drone capability, particularly in the mid-to-high range of the guitar. This can lead to a spacious, almost ethereal sound, especially when strummed open or with simple fingerings. It feels well-suited for acoustic folk, ambient music, or progressive styles where sustained notes and rich overtones are desired, allowing for a broad sonic palette.
Common chords that become easily accessible or resonate strongly include:
- Open Strum: A full, resonant Gsus2add4 (G-A-D-D-A-D).
- Drones: The repeated D and A notes allow for powerful D and A drones, particularly on the top three strings (D-A-D).
- G Major/Gsus2: With the low G and A, and multiple D's, G major or Gsus2 chord shapes should feel natural and full, offering a robust harmonic foundation.
- D Major/Dsus2: Given the prevalence of D and A notes, D major and Dsus2 chords will likely be very accessible and resonant, especially when focusing on the middle and higher strings, providing bright, open voicings.
Technical Analysis
This tuning transforms the standard E-A-D-G-B-E into G-A-D-D-A-D (from low E to high E). Let's look at the individual string changes from standard tuning and their implications:
- 6th String (Low E to G2): Raised by a minor third (+3 semitones). This provides a deep foundation and shifts the harmonic root considerably.
- 5th String (A to A2): Remains at its standard pitch, providing a stable reference point in the middle range.
- 4th String (D to D3): Remains at its standard pitch, acting as another crucial anchor for the D-centric aspects of the tuning.
- 3rd String (G to D4): Raised dramatically by a perfect fifth (+7 semitones). This is the most significant tension increase and contributes to the bright D-A-D cluster on the upper strings.
- 2nd String (B to A3): Lowered by a whole step (-2 semitones). This creates an open minor third with the D string above it, contributing to the open quality.
- 1st String (High E to D4): Lowered by a whole step (-2 semitones). This establishes a high D drone and a resonant D-A-D pattern with the 3rd and 2nd strings, giving the tuning its distinctive chime.
The interval relationships from the lowest G note are as follows:
- G2 (Root)
- A2 (Major 2nd above G2)
- D3 (Perfect 4th above G2)
- D4 (Octave above D3)
- A3 (Perfect 5th above D3)
- D4 (Perfect 4th above A3)
This arrangement creates a strong tonal center around D, supported by a low G and prominent A notes, giving it a modal, open quality with rich harmonic potential.
How to Tune Your Guitar to GAGDAD
Carefully adjust each string from standard E-A-D-G-B-E tuning. Always tune up to a note to maintain string stability where possible. For significant changes, ensure your guitar's setup can handle the altered string tension. Extreme changes (more than 4 semitones up or down) may require a different gauge string for optimal performance and to prevent damage.
- 6th String (Low E): Tune up 3 semitones to G2. While a moderate change, this increases tension.
- 5th String (A): Keep as is; no change (0 semitones). It remains A2.
- 4th String (D): Keep as is; no change (0 semitones). It remains D3.
- 3rd String (G): Tune up 7 semitones to D4. Caution: This is a significant increase in tension (more than 4 semitones up). Consider a heavier gauge string for this position if you plan to use this tuning frequently to prevent string breakage or neck issues.
- 2nd String (B): Tune down 2 semitones to A3. This is a moderate decrease in tension.
- 1st String (High E): Tune down 2 semitones to D4. This is a moderate decrease in tension.
Always use a reliable tuner for accuracy and listen for any signs of stress on your instrument.
6th String (Low E): G2
5th String (A): A2
4th String (D): D3
3rd String (G): D4
2nd String (B): A3
1st String (High E): D4
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Capos for GADDAD
Capo | Tuning | Name |
---|---|---|
0 | GADDAD | GAGDAD |
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Tuning Map
- Fret
- S6
- S5
- S4
- S3
- S2
- S1
- -13
- D#
- G#
- C#
- F#
- A#
- D#
- -12
- E
- A
- D
- G
- B
- E
- -11
- F
- A#
- D#
- G#
- C
- F
- -10
- F#
- B
- E
- A
- C#
- F#
- -9
- G
- C
- F
- A#
- D
- G
- -8
- G#
- C#
- F#
- B
- D#
- G#
- -7
- A
- D
- G
- C
- E
- A
- -6
- A#
- D#
- G#
- C#
- F
- A#
- -5
- B
- E
- A
- D
- F#
- B
- -4
- C
- F
- A#
- D#
- G
- C
- -3
- C#
- F#
- B
- E
- G#
- C#
- -2
- D
- G
- C
- F
- A
- D
- -1
- D#
- G#
- C#
- F#
- A#
- D#
- 0
- E
- A
- D
- G
- B
- E
- 1
- F
- A#
- D#
- G#
- C
- F
- 2
- F#
- B
- E
- A
- C#
- F#
- 3
- G
- C
- F
- A#
- D
- G
- 4
- G#
- C#
- F#
- B
- D#
- G#
- 5
- A
- D
- G
- C
- E
- A
- 6
- A#
- D#
- G#
- C#
- F
- A#
- 7
- B
- E
- A
- D
- F#
- B
- 3
- 0
- 0
- 7
- -2
- -2