GDA#CFA Guitar Tuner
GDA#CFA | GDB♭CFA C G D# F A# D (Open Cm11 But Two And A Half Steps Down) - Guitar tuning, chords & scales
The Open Gm11 tuning transforms your guitar into a deeply resonant and harmonically rich soundscape, perfect for creating lush, complex chords and atmospheric textures. This tuning takes the concept of an open minor 11th chord and roots it in G, offering a versatile foundation for a variety of musical styles from jazz and blues to progressive rock and ambient soundscapes.
Technical Analysis
The notes of this tuning, derived from standard EADGBe after applying the specified string movements, are G1-D2-A#2-C3-F3-A3 (from low E to high E string). When played open, these notes form a full Gm11 chord, comprising:
- G (Root) - The foundation, providing a deep, resonant bass.
- D (Perfect 5th) - Reinforces the root and provides stability.
- A# (Bb) (Minor 3rd) - Establishes the minor quality of the chord. This note is derived from tuning the standard D string down 4 semitones, resulting in A#2 (or Bb2).
- C (Perfect 4th / 11th) - Adds harmonic depth and the characteristic 11th extension.
- F (Minor 7th) - Provides the jazzy, sophisticated minor 7th sound.
- A (Major 9th) - Introduces tension and brightness, rounding out the extended harmony.
This arrangement creates a dense, harmonically complete chord with a somewhat dark yet sophisticated character, ideal for introspective pieces, modal explorations, or heavy, downtuned riffs with a harmonic edge.
Chords and Playability
The beauty of Open Gm11 lies in its immediate harmonic richness:
- Open Chord: Strumming all strings open yields a powerful Gm11 chord.
- Barre Chords: By simply barring across all strings at any fret, you can effortlessly transpose the Gm11 chord up the neck. For instance, barring at the 1st fret gives you G#m11 (Abm11), at the 2nd fret an Am11, and so on. This makes navigating chord progressions incredibly intuitive.
- Melodic Possibilities: The intervals within the tuning (especially the 9th and 11th) lend themselves well to fingerstyle playing, allowing for complex arpeggios and melodic lines to ring out over the rich harmonic foundation.
- Power Chords: The low G and D strings make for easy access to powerful root-fifth voicings, which can be combined with other open strings for unique textures.
Explore this tuning to unlock a world of deep, expressive sounds and complex harmonies with surprising ease.
How to Tune Your Guitar to Open Gm11
This tuning requires significant downtuning across all strings from standard EADGBe. Please be cautious and adjust your tuning pegs slowly. For optimal playability and string tension, especially with such large drops, a heavier gauge string set is highly recommended.
- Low E String (6th String): Tune down from E2 to G1. Tune down 9 semitones.
- A String (5th String): Tune down from A2 to D2. Tune down 7 semitones.
- D String (4th String): Tune down from D3 to A#2 (Bb2). Tune down 4 semitones.
- G String (3rd String): Tune down from G3 to C3. Tune down 7 semitones.
- B String (2nd String): Tune down from B3 to F3. Tune down 6 semitones.
- High E String (1st String): Tune down from E4 to A3. Tune down 7 semitones.
Given that all strings are tuned down by 4 or more semitones, a different string gauge (typically heavier) is strongly advised to maintain proper tension, intonation, and to prevent string floppiness. Tuning up 3 or 4 semitones or more can be risky for standard gauge strings, but tuning down by this amount means a standard string will likely be too loose; therefore, heavier gauge strings are essential for this deep tuning.
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Capos for GDA#CFA
| Capo | Tuning | Name |
|---|---|---|
| -14 | F#F#BE | Slipknot - Scissors (Bass Tuning) [Drop F# Bass?] |
| -13 | F#F#BE | Slipknot - Scissors (Bass Tuning) [Drop F# Bass?] |
| -12 | F#F#BE | Slipknot - Scissors (Bass Tuning) [Drop F# Bass?] |
| -11 | F#F#BE | Slipknot - Scissors (Bass Tuning) [Drop F# Bass?] |
| -10 | F#F#BE | Slipknot - Scissors (Bass Tuning) [Drop F# Bass?] |
| -9 | F#F#BE | Slipknot - Scissors (Bass Tuning) [Drop F# Bass?] |
| -8 | F#F#BE | Slipknot - Scissors (Bass Tuning) [Drop F# Bass?] |
| -7 | F#F#BE | Slipknot - Scissors (Bass Tuning) [Drop F# Bass?] |
| -6 | F#F#BE | Slipknot - Scissors (Bass Tuning) [Drop F# Bass?] |
| -5 | F#F#BE | Slipknot - Scissors (Bass Tuning) [Drop F# Bass?] |
| -4 | F#F#BE | Slipknot - Scissors (Bass Tuning) [Drop F# Bass?] |
| -3 | F#F#BE | Slipknot - Scissors (Bass Tuning) [Drop F# Bass?] |
| -2 | F#F#BE | Slipknot - Scissors (Bass Tuning) [Drop F# Bass?] |
| -1 | F#F#BE | Slipknot - Scissors (Bass Tuning) [Drop F# Bass?] |
| 0 | GDA#CFA | C G D# F A# D (Open Cm11 But Two And A Half Steps Down) |
| 0 | F#F#BE | Slipknot - Scissors (Bass Tuning) [Drop F# Bass?] |
| 1 | G#D#BC#F#A# | C G D# F A# D (Open Cm11 But Two Steps Down) |
| 1 | F#F#BE | Slipknot - Scissors (Bass Tuning) [Drop F# Bass?] |
| 2 | AECDGB | Baritone Ami11 |
| 2 | F#F#BE | Slipknot - Scissors (Bass Tuning) [Drop F# Bass?] |
| 3 | F#F#BE | Slipknot - Scissors (Bass Tuning) [Drop F# Bass?] |
| 3 | A#FC#D#G#C | C G D# F A# D (Open Cm11 But A Full Step Down) |
| 4 | F#F#BE | Slipknot - Scissors (Bass Tuning) [Drop F# Bass?] |
| 5 | F#F#BE | Slipknot - Scissors (Bass Tuning) [Drop F# Bass?] |
| 5 | CGD#FA#D | CGD#FA#D |
| 6 | C#G#EF#BD# | 30 Minutes In London |
| 6 | F#F#BE | Slipknot - Scissors (Bass Tuning) [Drop F# Bass?] |
| 7 | F#F#BE | Slipknot - Scissors (Bass Tuning) [Drop F# Bass?] |
| 7 | DAFGCE | DAFGCE |
| 8 | F#F#BE | Slipknot - Scissors (Bass Tuning) [Drop F# Bass?] |
| 8 | D#A#F#G#C#F | D#A#F#G#C#F |
| 9 | F#F#BE | Slipknot - Scissors (Bass Tuning) [Drop F# Bass?] |
| 10 | F#F#BE | Slipknot - Scissors (Bass Tuning) [Drop F# Bass?] |
| 11 | F#C#ABEG# | Cm11 - Laud |
| 11 | F#F#BE | Slipknot - Scissors (Bass Tuning) [Drop F# Bass?] |
| 12 | F#F#BE | Slipknot - Scissors (Bass Tuning) [Drop F# Bass?] |
| 13 | F#F#BE | Slipknot - Scissors (Bass Tuning) [Drop F# Bass?] |
| 14 | F#F#BE | Slipknot - Scissors (Bass Tuning) [Drop F# Bass?] |
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Tuning Map
- Fret
- S6
- S5
- S4
- S3
- S2
- S1
- -13
- D#
- G#
- C#
- F#
- A#
- D#
- -12
- E
- A
- D
- G
- B
- E
- -11
- F
- A#
- D#
- G#
- C
- F
- -10
- F#
- B
- E
- A
- C#
- F#
- -9
- G
- C
- F
- A#
- D
- G
- -8
- G#
- C#
- F#
- B
- D#
- G#
- -7
- A
- D
- G
- C
- E
- A
- -6
- A#
- D#
- G#
- C#
- F
- A#
- -5
- B
- E
- A
- D
- F#
- B
- -4
- C
- F
- A#
- D#
- G
- C
- -3
- C#
- F#
- B
- E
- G#
- C#
- -2
- D
- G
- C
- F
- A
- D
- -1
- D#
- G#
- C#
- F#
- A#
- D#
- 0
- E
- A
- D
- G
- B
- E
- 1
- F
- A#
- D#
- G#
- C
- F
- 2
- F#
- B
- E
- A
- C#
- F#
- 3
- G
- C
- F
- A#
- D
- G
- 4
- G#
- C#
- F#
- B
- D#
- G#
- 5
- A
- D
- G
- C
- E
- A
- 6
- A#
- D#
- G#
- C#
- F
- A#
- 7
- B
- E
- A
- D
- F#
- B
- -9
- -7
- -4
- -7
- -6
- -7
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