GDGDGAD Guitar Tuner
GDGDGAD Dsus4 Low G - Guitar tuning, chords & scales
Tuning Analysis: Dsus4 Low G
The Dsus4 Low G tuning for a 7-string guitar offers a deeply resonant and expansive soundscape, moving beyond standard open tunings into a rich, modal territory. As described, it's crafted for 'big and low' textures, providing a full, droning foundation ideal for various musical styles, from ambient soundscapes to heavy, riff-oriented compositions.
Technical Breakdown:
This 7-string tuning sets the guitar to G1-D2-G2-D3-G3-A3-D4. The open strings, when strummed, primarily form a robust Dsus4 chord (D-G-A) with a powerful emphasis on the lowest G, which also implies a Gsus2 chord (G-A-D) if viewed from the lowest root. The arrangement features a prominent sequence of perfect fourths and fifths (G-D, D-G) across multiple strings, which contributes significantly to its open, harmonically rich, and resonant character. The G3-A3 interval introduces a distinct minor second (major second from G to A), adding a beautiful suspended quality to the overall voicing.
Musical Applications & Chords:
The Dsus4 Low G tuning excels in situations where a massive, ringing chord is desired. It's particularly well-suited for:
- Slide Guitar: The open, chordal nature makes it incredibly expressive for slide playing.
- Drone-based Music: The abundant perfect intervals lend themselves perfectly to sustained drones and hypnotic textures.
- Fingerstyle: The open chord allows for intricate melodic lines to be woven over a resonant harmonic bed.
- Heavy Riffing: Simple one or two-finger shapes can yield massive power chords across the lower strings, utilizing the low G for extreme depth.
Beyond the inherent Dsus4/Gsus2 open chord, this tuning facilitates easy access to various open G chords and Dsus4 voicings. The consistent interval patterns between certain string pairs make it intuitive to form power chords and barre chords up the neck with minimal effort. Minor and major triads can be found by adapting simple shapes, and the tuning encourages modal improvisation and experimentation due to its unique harmonic structure.
Open String Notes:
- String 7: G1 (Lowest String)
- String 6: D2
- String 5: G2
- String 4: D3
- String 3: G3
- String 2: A3
- String 1: D4 (Highest String)
How to Tune:
This tuning requires significant adjustments from standard tuning for many strings. Please tune carefully and use a reliable tuner. For strings requiring movements of 4 or more semitones (up or down), consider whether a different string gauge might be beneficial for optimal playability and string longevity.
- String 7 (Lowest, target G1): Tune down 4 semitones. (Note: A four-semitone drop is substantial; a heavier gauge string might improve playability for the G1, especially if your guitar is typically set up for standard tuning.)
- String 6 (target D2): Tune down 2 semitones.
- String 5 (target G2): Tune down 2 semitones.
- String 4 (target D3): Keep as is; no change (0 semitones).
- String 3 (target G3): Keep as is; no change (0 semitones).
- String 2 (target A3): Tune down 2 semitones.
- String 1 (Highest, target D4): Tune down 2 semitones.
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Capos for GDGDGAD
| Capo | Tuning | Name |
|---|---|---|
| 0 | GDGDGAD | Dsus4 Low G |
| 1 | G#D#G#D#G#A#D# | Idk Lol |
| 2 | AEAEABE | AEAEABE (Asus2) |
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Tuning Map
- Fret
- S7
- S6
- S5
- S4
- S3
- S2
- S1
- -13
- A#
- D#
- G#
- C#
- F#
- A#
- D#
- -12
- B
- E
- A
- D
- G
- B
- E
- -11
- C
- F
- A#
- D#
- G#
- C
- F
- -10
- C#
- F#
- B
- E
- A
- C#
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- -9
- D
- G
- C
- F
- A#
- D
- G
- -8
- D#
- G#
- C#
- F#
- B
- D#
- G#
- -7
- E
- A
- D
- G
- C
- E
- A
- -6
- F
- A#
- D#
- G#
- C#
- F
- A#
- -5
- F#
- B
- E
- A
- D
- F#
- B
- -4
- G
- C
- F
- A#
- D#
- G
- C
- -3
- G#
- C#
- F#
- B
- E
- G#
- C#
- -2
- A
- D
- G
- C
- F
- A
- D
- -1
- A#
- D#
- G#
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- A#
- D#
- 0
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- E
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- G
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- 1
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- A
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- 3
- D
- G
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- D#
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- -4
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- -2
- 0
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- -2
- -2
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