G#C#F#BEG#C# Guitar Tuner
G#C#F#BEG#C# | A♭D♭G♭BEA♭D♭ G# Standard 7-string - Guitar tuning, chords & scales
Verbal and Technical Analysis of G# Standard 7-String Tuning
This tuning, aptly named G# Standard 7-string, plunges your 7-string guitar into a significantly lower and heavier sonic landscape. It's essentially a uniform drop of three half steps (a minor third) from the familiar standard 7-string tuning. This makes it a formidable choice for genres that demand extreme low-end aggression and deep resonance, such as metal, djent, and other heavy subgenres where a powerful, brooding foundation is key.
Technically, the open strings are tuned to G 2#, C 3#, F 3#, B 2, E 3, G 4#, and C 5# (from lowest to highest string). The most significant aspect of this tuning is its preservation of the standard interval relationships between strings: Perfect Fourths dominate, with a Major Third between the 3rd (E 3) and 2nd (G 4#) strings. This means that all your existing chord shapes, scale patterns, and arpeggios learned in standard tuning remain directly transferable. You simply play them three frets higher to achieve the equivalent pitch of standard tuning, or embrace the lower register for a darker, more impactful sound. The low G 2# provides an exceptionally deep root note, opening up possibilities for thick power chords and extended range riffing that truly rumble.
Open Chords and Playability
While traditional "open position" chords might not naturally form full triads across multiple strings in this tuning, the consistent interval structure allows for incredible versatility with barre chords and power chords.
- Power Chords: Due to the prevalence of Perfect Fourth intervals, power chords are exceptionally easy to construct across the lower strings. For instance, a G#5 power chord can be formed using the open 7th string (G 2#) and the 6th string at the 2nd fret (D#). Similarly, moving up to the 4th string (B 2), you can easily form B5 power chords.
- Barre Chords: All standard barre chord shapes (E-shape, A-shape, etc.) are fully transferable. For example, applying an E-shape major barre chord starting on the 7th string at the 4th fret will yield a C# Major chord (C 3#-F 3#-A 3#). The familiar shapes allow for quick transposition and adaptation for players accustomed to standard tunings.
- Riffing: The uniform drop in pitch makes it effortless to adapt riffs from standard tuning, simply playing them in a lower register. This tuning excels in chugging rhythms and intricate, low-string melodies.
Tuning Details
- 7th String (Lowest): G 2#
- 6th String: C 3#
- 5th String: F 3#
- 4th String: B 2
- 3rd String: E 3
- 2nd String: G 4#
- 1st String (Highest): C 5#
How to Tune to G# Standard 7-String
To achieve G# Standard 7-string tuning, you will be tuning each string down from its standard 7-string pitch (Standard 7-string: B 2-E 3-A 3-D 4-G 4-B 4-E 5). The following instructions detail the movement for each string to reach its target note:
- 7th String (Lowest): Tune down 3 semitones to G 2#.
- 6th String: Tune down 3 semitones to C 3#.
- 5th String: Tune down 3 semitones to F 3#.
- 4th String: Tune down 3 semitones to B 2.
- 3rd String: Tune down 3 semitones to E 3.
- 2nd String: Tune down 3 semitones to G 4#.
- 1st String (Highest): Tune down 3 semitones to C 5#.
Important Note on String Gauges: All string movements in this tuning involve tuning down 3 semitones. While these drops are within a manageable range for many standard string gauges, for optimal playability, tone, and intonation, especially with such a significant overall pitch drop, considering a heavier gauge string set designed for lower tunings is often recommended. This can help maintain proper string tension and prevent excessive floppiness. Generally, if you are tuning down more than 4 semitones or up more than 4 semitones from your current string's intended pitch, a different string gauge is strongly advised to avoid string breakage or poor performance.
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Capos for G#C#F#BEG#C#
Capo | Tuning | Name |
---|---|---|
-9 | BEADGBE | Standard (Contra) Tuning |
-6 | DGCFA#DG | Octave Down D Standard |
-5 | D#G#C#F#BD#G# | Standard Baritone (Long-Neck) Tuning |
-4 | EADGCEA | E/A Standard Tuning (7-String) |
-3 | FA#D#G#C#FA# | F Standard 7-String |
-2 | F#BEADF#B | Asdad |
-1 | GCFA#D#GC | G Standard 7-string |
0 | G#C#F#BEG#C# | G# Standard 7-string |
1 | ADGCFAD | A Standard 7-string |
2 | A#D#G#C#F#A#D# | A# Standard 7-string |
3 | BEADGBE | 7 String Standard |
6 | DGCFA#DG | Standard (Terz) Tuning |
8 | EADGCEA | Lenny Breau Tuning |
More G#C#F#BEG#C# Resources
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Songs tuned to G#C#F#BEG#C#
Artist | Song | Album | Tab |
---|---|---|---|
Hate Eternal | Upon Desolate Lands |
Please use the below form to submit a song for G#C#F#BEG#C# that is not already on gtdb.org.
Tuning Map
- Fret
- S7
- S6
- S5
- S4
- S3
- S2
- S1
- -13
- A#
- D#
- G#
- C#
- F#
- A#
- D#
- -12
- B
- E
- A
- D
- G
- B
- E
- -11
- C
- F
- A#
- D#
- G#
- C
- F
- -10
- C#
- F#
- B
- E
- A
- C#
- F#
- -9
- D
- G
- C
- F
- A#
- D
- G
- -8
- D#
- G#
- C#
- F#
- B
- D#
- G#
- -7
- E
- A
- D
- G
- C
- E
- A
- -6
- F
- A#
- D#
- G#
- C#
- F
- A#
- -5
- F#
- B
- E
- A
- D
- F#
- B
- -4
- G
- C
- F
- A#
- D#
- G
- C
- -3
- G#
- C#
- F#
- B
- E
- G#
- C#
- -2
- A
- D
- G
- C
- F
- A
- D
- -1
- A#
- D#
- G#
- C#
- F#
- A#
- D#
- 0
- B
- E
- A
- D
- G
- B
- E
- 1
- C
- F
- A#
- D#
- G#
- C
- F
- 2
- C#
- F#
- B
- E
- A
- C#
- F#
- 3
- D
- G
- C
- F
- A#
- D
- G
- 4
- D#
- G#
- C#
- F#
- B
- D#
- G#
- 5
- E
- A
- D
- G
- C
- E
- A
- 6
- F
- A#
- D#
- G#
- C#
- F
- A#
- 7
- F#
- B
- E
- A
- D
- F#
- B
- -3
- -3
- -3
- -3
- -3
- -3
- -3